Letter to T.N. TalfourdThomas Noon Talfourd | Born: 1795-05-26 in Reading, Berkshire, England. Died: 1854-03-13 in Stafford, Staffordshire, England.
Close friend, literary mentor, and frequent correspondent of Mary Russell Mitford. A native of Reading, Talfourd was educated at the Reading’s newly-established Mill Hill school, a dissenting academy, from 1808 to 1810. He attended Dr. Richard Valpy’s Reading School from 1810 to 1812. His career in law began with a legal apprenticeship with Joseph Christy, special pleader, in 1817. He was called to the bar in London in 1821 and ultimately earned a D.C.L. (Doctor of Civil Laws) from Oxford on June 20, 1844. While establishing his practice as a barrister and special pleader, he worked as legal correspondent for The Times, reporting on the Oxford Circuit, and also continued his literary interests. After 1833, he was appointed Serjeant at Law, as well as a King’s and Queen’s Counsel. He was elected and served as Member of Parliament for Reading from 1835 to 1841 and from 1847 to 1849 ; he served with Charles Fyshe Palmer, Charles Russell, and Francis Piggott. Highlights of his political and legal career included introducing the first copyright bill into Parliament in 1837 (for which action Charles Dickens dedicated Pickwick Papers to him) and defending Edward Moxon’s publication of Percy Shelley’s Queen Mab in 1841 . He was appointed Queen’s Serjeant in 1846 and Judge of Common Pleas in 1849 , at which post he served until his death in 1854. He was knighted in 1850 .
Talfourd’s literary works include his plays Ion (1835), The Athenian Captive (1837) and Glencoe, or the Fate of the MacDonalds(1839).
—lmw, cmm, ebb
[1822 May 19]

Edited by Lisa M. WilsonLisa M. Wilson, Managing Editor, Bibliography and Correspondence, Founding Editor, State University of New York at Potsdam
Lisa M. Wilson is Professor in the Department of English and Communication at SUNY Potsdam, where she has taught since 2005. Her areas of interest include transatlantic Romantic and Victorian era literature, particularly women’s writing and popular forms such as the Gothic novel and the literary ballad. She is also interested in book history and bibliographical studies, particularly in the study of authorship in the long nineteenth century (1780-1900). She has published in European Romantic Review, Romanticism on the Net (now RaVon), Romantic Circles, Romantic Textualities, and elsewhere. She is currently working on a monograph on Romantic-period authorship and literary celebrity. Her work on Digital Mitford thus far includes editing and coding Mitford’s Introduction to her collected Dramatic Works (1854), a critical memoir that recounts the author’s influences and experiences at Covent Garden and Drury Lane in the 1820s and 30s. It also includes researching Mitford’s publication history for the site’s working bibliography, particularly tracking the migration of Mitford’s stories from their first publication to their later reappearances in collections and periodicals. A Founding Editor of Digital Mitford, she and her teams of student research assistants have been at work since 2013 on transcribing, coding, and researching Mitford’s letters from 1819 to the early 1820s and on Mitford’s early poems, including her 22 sonnets and her long poem, Weston Grove. She is currently teaching a course on digital textual editing for junior and senior undergraduates and directing undergraduate students internships for Digital Mitford.
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First digital edition in TEI, date: 24 May 2014. P5. . .

Digital Mitford Letters: The Mary Russell Mitford Archive

Repository: The John Rylands University Library. Shelf mark: JRL English MS 665 no. 12 Coles no. 36

Folio sheet of paper folded in half to form four quarto pages, with correspondence on 1-3 and address leaf on page 4, then folded in thirds twice more and sealed for posting.Address leaf bearing no postmarksA small portion of page 1 has been torn away under the seal but it does not affect any text. Partial red wax seal, right side up.

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propitiated our ManagerCharles Kemble | Born: 1775-11-25 in Brecon, South Wales. Died: 1854-11-12 in England.
British actor, the younger brother of John Phillip Kemble and Sarah Siddons. Although he was considered by some to be as fine an actor as his sister and brother, he mostly appeared in secondary rather than leading roles. Father of Frances Kemble. One of the co-proprietors of Covent Garden Theatre . He served as Examiner of Plays in the early nineteenth-century, reviewing plays for licensing by the Lord Chamberlain.—lmw
—whose childishness is really in a man of his ripe years incredible. In the mean time would you advise me to try another Tragedy? If I could ever hope to do any thing really good—any thing worthy of Mr. MacreadyWilliam Charles Macready | Born: 1793-03-03 in London, England. Died: 1873-04-27 in Cheltenham, Gloucestershire, England.
English actor, one of the most prominent tragedians of his era. He appeared at Covent Garden and Drury Lane Theatres in London and also toured the United States. He appeared in Sheridan Knowles's William Tell, Byron's Sardanapolus, and Bulwer-Lytton's Money (1840), as well as in many Shakespearean roles. He also managed both Covent Garden and Drury Lane Theatres. In his role as actor-manager, Macready was a correspondent and collaborator with Mary Russell Mitford. The first play on which they worked was Mitford's Julian. Mitford dedicated to Macready the print edition of Julian: To William Charles Macready, Esq., with high esteem for those endowments which have cast new lustre on his art; with warm admiration for those powers which have inspired, and that taste which has fostered the tragic dramatists of his age; with heartfelt gratitude for the zeal with which he befriended the production of a stranger, for the judicious alterations which he suggested, and for the energy, the pathos, and the skill with which he more than emhodied its principal character; this tragedy is most respectfully dedicated by the author. Macready retired from the stage in 1851. —lmw
—But oh I never Shall!—Would you try JulianJulian; a Tragedy in Five Acts. Mary Russell Mitford. London New York: G. B. Whittaker W. B. Gilley . 1823. ? I don't think you like the subject, & I have many fears myself—& the dear DoctorRichard Valpy, Doctor of Divinity, or: Dr. Valpy | Born: 1754-12-07 in St. John’s, Jersey, Channel Islands. Died: 1836-03-28 in Reading, Berkshire, England.
Richard Valpy (the fourth of that name) was the eldest son of Richard Valpy [III] and Catherine Chevalier. He was a friend and literary mentor to Mary Russell Mitford. He matriculated at Pembroke College, Oxford University on April 1, 1773, aged eighteen, as a Morley scholar. He received from Oxford a B.A. (1776), M.A. (1784), B.D. & D.D. (1792). He took orders in the Church of England in 1777. Richard Valpy served as Second Master at Bury School, Bury, Huntindonshire from 1771 to 1781, and was also collated to the rectory of Stradishall, Suffolk, in 1787. He became the Headmaster at Reading School, Reading, Berkshire, in 1781 and served until 1830, at which time he turned the Headmastership over to his youngest son Francis E. J. Valpy and continued in semi-retirement until his death in 1836. During his tenure as Headmaster of Reading Grammar School for boys over the course of fifty years, he expanded the boarding school and added new buildings. He is the author of numerous published works, including Greek and Latin textbooks, sermons, volumes of poetry, and adaptations of plays such as Shakespeare’s King John and Sheridan’s The Critic. His Elements of Greek Grammar, Elements of Latin Grammar,,Greek Delectus and Latin Delectus, printed and published by his son A. J. Valpy, were all much used as school texts throughout the nineteenth century. Valpy’s students performed his own adaptations of Greek, Latin, and English plays for the triennial visitations and the play receipts went to charitable organizations. Valpy enlisted Mitford to write reviews of the productions for the Reading Mercury. In 1803, his adaptation of Shakespeare’s King John was performed at Covent Garden Theatre.
Richard Valpy was married twice and had twelve children, eleven of whom lived to adulthood. His first wife was Martha Cornelia de Cartaret; Richard and Martha were married about 1778 and they had one daughter, Martha Cartaretta Cornelia. His first wife Martha died about 1780 and he married Mary Benwell of Caversham, Oxfordshire on May 30, 1782. Together they had six sons and five daughters and ten of their eleven children survived to adulthood. Richard Valpy and Mary Benwell’s sons were Richard Valpy (the fifth of that name), Abraham John Valpy, called John; Gabriel Valpy, Anthony Blagrove Valpy; and Francis Edward Jackson Valpy. His daughters were Mary Ann Catherine Valpy; Sarah Frances Valpy, called Frances or Fanny; Catherine Elizabeth Blanch Valpy; Penelope Arabella Valpy; and Elizabeth Charlotte Valpy, who died as an infant.
Richard Valpy died on March 28, 1836 in Reading, Berkshire, and is buried in All Souls cemetery, Kensal Green, London. Dr. Valpy’s students placed a marble bust of him in St. Lawrence’s church, Reading, Berkshire, after his death. John Opie painted Dr. Valpy’s portrait. See .—ebb, lmw
's admiration is seriously a bad sign—for you know he likes nothing but the melodramatic. Do you think that Mr. MacreadyWilliam Charles Macready | Born: 1793-03-03 in London, England. Died: 1873-04-27 in Cheltenham, Gloucestershire, England.
English actor, one of the most prominent tragedians of his era. He appeared at Covent Garden and Drury Lane Theatres in London and also toured the United States. He appeared in Sheridan Knowles's William Tell, Byron's Sardanapolus, and Bulwer-Lytton's Money (1840), as well as in many Shakespearean roles. He also managed both Covent Garden and Drury Lane Theatres. In his role as actor-manager, Macready was a correspondent and collaborator with Mary Russell Mitford. The first play on which they worked was Mitford's Julian. Mitford dedicated to Macready the print edition of Julian: To William Charles Macready, Esq., with high esteem for those endowments which have cast new lustre on his art; with warm admiration for those powers which have inspired, and that taste which has fostered the tragic dramatists of his age; with heartfelt gratitude for the zeal with which he befriended the production of a stranger, for the judicious alterations which he suggested, and for the energy, the pathos, and the skill with which he more than emhodied its principal character; this tragedy is most respectfully dedicated by the author. Macready retired from the stage in 1851. —lmw
who has already been so very very kind would take the trouble to read the first scenes [del: .] & say whether he thought it promising? I shall enclose it to you—but I depend on you not to mention it to him if he is at all likely to consider it as an intrusion—& mind (as CobbettWilliam Cobbett, Member of Parliament for Oldham, or: Member of Parliament for Oldham | Born: 1763-03-09 in Farnham, Surrey, England. Died: 1835-06-18 in Normandy, Surrey, England.
Politician, reformer, and journalist. Founded weekly newspaper The Political Register and also collected and published British state trials and parliamentary debates. He was frequently charged with seditious and treasonous libel because of his political writings; he supported Parliamentary reform, Catholic emancipation; and criticized the Corn Laws. He was a political supporter of Francis Burdett and John Cartwright. In a letter of 1825, Mitford compares Cobbett's character to that of William Macready: both men of headstrong passion—zealous partisans, vindictive enemies, fascinating companions—both great bullies—& as I suspect both great cowards. —lmw
says) that I shall not take his advice to continue it—if such should be his advice—as at all pledging him to patronize the PlayJulian; a Tragedy in Five Acts. Mary Russell Mitford. London New York: G. B. Whittaker W. B. Gilley . 1823. . I had much rather that you would would give me a final answer—make up my mind for me yourself—without troubling him—both because I have a great reluctance to take a liberty which he may well thinking unwarrantable with a gentleman whom I know only by his admirable talents & his admirable kindness—& because I still hold that old faith. Which you wot of in your infallibility—but on this subject you have always seemed almost as undecided as myself. Perhaps I ought to have taken your indecision as an absolute No, because you never fail to give encouragement where you can honestly—& yet you do pay me the Compliment of telling me the truth sometimes too. You need not take the trouble to retain the M.S. as I have another copy—I have marked the little bits of EuripidesEuripides | Born: -0480 in Salamís. Died: -0406 in Macedonia.
Ancient world playwright, considered together with Aeschylus and Sophocles as establishing the classical foundation of Western tragedy. Author of Ion , on which Thomas Noon Talfourd later based his own play of the same title, as well as Orestes , and Cyclops , the only known complete example of a burlesque satyr play, translated into a satiric poem in 1819 by Percy Shelley . —ebb, lmw
. The worst of JulianJulian; a Tragedy in Five Acts. Mary Russell Mitford. London New York: G. B. Whittaker W. B. Gilley . 1823. is that I don't see there can be any part at all for Mr. KembleCharles Kemble | Born: 1775-11-25 in Brecon, South Wales. Died: 1854-11-12 in England.
British actor, the younger brother of John Phillip Kemble and Sarah Siddons. Although he was considered by some to be as fine an actor as his sister and brother, he mostly appeared in secondary rather than leading roles. Father of Frances Kemble. One of the co-proprietors of Covent Garden Theatre . He served as Examiner of Plays in the early nineteenth-century, reviewing plays for licensing by the Lord Chamberlain.—lmw
—for I suppose to think of his ever playing a father to Mr. MacreadyWilliam Charles Macready | Born: 1793-03-03 in London, England. Died: 1873-04-27 in Cheltenham, Gloucestershire, England.
English actor, one of the most prominent tragedians of his era. He appeared at Covent Garden and Drury Lane Theatres in London and also toured the United States. He appeared in Sheridan Knowles's William Tell, Byron's Sardanapolus, and Bulwer-Lytton's Money (1840), as well as in many Shakespearean roles. He also managed both Covent Garden and Drury Lane Theatres. In his role as actor-manager, Macready was a correspondent and collaborator with Mary Russell Mitford. The first play on which they worked was Mitford's Julian. Mitford dedicated to Macready the print edition of Julian: To William Charles Macready, Esq., with high esteem for those endowments which have cast new lustre on his art; with warm admiration for those powers which have inspired, and that taste which has fostered the tragic dramatists of his age; with heartfelt gratitude for the zeal with which he befriended the production of a stranger, for the judicious alterations which he suggested, and for the energy, the pathos, and the skill with which he more than emhodied its principal character; this tragedy is most respectfully dedicated by the author. Macready retired from the stage in 1851. —lmw
is quite out of the page 2
question—unless in his love of young characters he should take a fancy to "do" the little King. I wish with all my heart I had some high historical subject. Miss JamesElizabeth Mary James, or: Miss James | Born: 1775 in Bath, Somerset, England. Died: 1861-11-25 in 3 Pembroke Villas, Richmond, Surrey, England.
Close friend and correspondent of Mary Russell Mitford. She was the eldest daughter of Thomas Webb and Susanna Haycock. Her father died in 1818 and her mother in 1835. After her parents’ deaths, she lived with her two younger sisters, Emily and Susan, in Green Park Buildings, Bath, Walcot, Somerset; High Street, Mortlake, Surrey; and 3 Pembroke Villas, Richmond, Surrey. According to Coles, referring to Mitford’s diary, letters were also addressed to her at Bellevue, Lower Road, Richmond (Coles 26). She was buried at St. Mary Magdalene, Richmond, Surrey. In the 1841 census, she is listed as living on independent means; in the 1851 census, as landholder; in the 1861 census, she as railway shareholder.—lmw
was recommending to me the story of the two Gaston de Foix Counts of OrtheGaston III and X Gaston Fébus Gaston Phoebus Count of Foix Viscount of Béarn | Born: 1331. Died: 1391.
Son of Gaston II, nicknamed Gaston Fébus or Phoebus, he wrote a famous Book of the Hunt, or Livre de chasse . The medieval chronicler Froissart visited Gaston III's court in 1388.—ebb, lmw
Gaston II and IX Gaston of Foix-Béarn Count of Foix Viscount of Béarn, Marsan, Gabardan, Nébouzan and Lautrec | Born: 1308. Died: 1343-09.
—lmw
in FroissartJean Froissart, canon of Chimay, France, or: canon of Chimay, France | Born: 1337 in Valenciennes, County of Hainaut, Holy Roman Empire. Died: 1405 in Chimay, County of Hainaut, Holy Roman Empire.
Medieval poet and historian.—lmw
—Do you remember it? I do not—but I have sent to her for it—If the subject be good—& unoccupied & there were a Father who might be made the real hero & a son who might pass for such it would just do, & I need not have troubled you with JulianJulian; a Tragedy in Five Acts. Mary Russell Mitford. London New York: G. B. Whittaker W. B. Gilley . 1823. . I am quite astonished to find myself planning new plays again after this disappointment. It is just like the poor silly birds who begin to build afresh the moment their nests have been taken. But really there is some little hope even in the caprice of these Managers—& I do not know what to do better—I wish I did.

During the negotiation about poor FoscariFoscari: A Tragedy. Mary Russell Mitford. London : G. B. Whittaker . 1826. I have had another affair with another Manager, & have fallen out & fallen [del: .] in with John Valpy'sAbraham John Valpy | Born: 1786-10-30 in Reading, Berkshire, England. Died: 1854-11-19 in St. John’s Wood Road, London, England.
Abraham John Valpy, called John or A.J. Dr. Richard Valpy’s second son, Abraham John was born about 1786 and was baptized on October 30, 1786 in Reading, Berkshire. He was educated at Reading School and then matriculated at Pembroke College, Oxford on April 25, 1805; from that institution, he received his B.A. (1809) and M.A. (1811) and was appointed a Fellow for a short time in 1811. According to the DNB, he was bound apprentice to a freeman of London, Humphrey Gregory Pridden, a printer. He was admitted a Liveryman of the Stationer’s Company in London in 1807. He worked as a printer-publisher and editor, and owned premises in London at 21 Tooke’s Court, Cursitor Street (1811) and later at Red Lion Court, Fleet Street (1821). He published numerous works of ancient and modern literature, and was the printer and publisher of periodical The Museum (1822-1825). He worked with E.H. Barker of Thetford, George Burges, George Dyer, and T.S. Hughes. He retired from the publishing industry in 1837. On February 25, 1813 he married Harriet Wylde at Burrington, Somerset. John and Harriet Wylde lived in greater London and died without issue. John died on November 19, 1854 at St. John’s Wood Road, London, and is buried at All Soul’s, Kensal Green, London.—lmw, ebb
Mr. BayleyPeter Bayley | Born: 1778 in Nantwich, Cheshire, England. Died: 1823-01-25 in London, England.
Solicitor, poet, playwright, and editor of the The Museum. Married to the Mrs. Bayley mentioned in Mitford's letter to Talfourd of 11 May 1825 . Source: DNB. —ebb, lmw

—the Editor of the MuseumThe Museum; or Record of Literature, Fine Arts, Antiquities, the Drama, &c.. 1822-04-27.
Weekly periodical edited by Peter Bayley and printed by John Valpy.—lmw
. It is the worst consequence of this sort of anxiety—& I suppose of all anxiety—that it makes one nervous as it is called—that is to say unquiet & irritable—So that I have lost my only good gift the serenity of a naturally calm & cheerful temper, & things fret me now which two years ago would only have amused me. In this mood I was so affronted at a certainly impertinent notice in No. 1 of the MuseumThe Museum; or Record of Literature, Fine Arts, Antiquities, the Drama, &c.. 1822-04-27.
Weekly periodical edited by Peter Bayley and printed by John Valpy.—lmw
that I wrote to John ValpyAbraham John Valpy | Born: 1786-10-30 in Reading, Berkshire, England. Died: 1854-11-19 in St. John’s Wood Road, London, England.
Abraham John Valpy, called John or A.J. Dr. Richard Valpy’s second son, Abraham John was born about 1786 and was baptized on October 30, 1786 in Reading, Berkshire. He was educated at Reading School and then matriculated at Pembroke College, Oxford on April 25, 1805; from that institution, he received his B.A. (1809) and M.A. (1811) and was appointed a Fellow for a short time in 1811. According to the DNB, he was bound apprentice to a freeman of London, Humphrey Gregory Pridden, a printer. He was admitted a Liveryman of the Stationer’s Company in London in 1807. He worked as a printer-publisher and editor, and owned premises in London at 21 Tooke’s Court, Cursitor Street (1811) and later at Red Lion Court, Fleet Street (1821). He published numerous works of ancient and modern literature, and was the printer and publisher of periodical The Museum (1822-1825). He worked with E.H. Barker of Thetford, George Burges, George Dyer, and T.S. Hughes. He retired from the publishing industry in 1837. On February 25, 1813 he married Harriet Wylde at Burrington, Somerset. John and Harriet Wylde lived in greater London and died without issue. John died on November 19, 1854 at St. John’s Wood Road, London, and is buried at All Soul’s, Kensal Green, London.—lmw, ebb
& desired him to return the three Articles which I had sent him. Instead of doing so JohnAbraham John Valpy | Born: 1786-10-30 in Reading, Berkshire, England. Died: 1854-11-19 in St. John’s Wood Road, London, England.
Abraham John Valpy, called John or A.J. Dr. Richard Valpy’s second son, Abraham John was born about 1786 and was baptized on October 30, 1786 in Reading, Berkshire. He was educated at Reading School and then matriculated at Pembroke College, Oxford on April 25, 1805; from that institution, he received his B.A. (1809) and M.A. (1811) and was appointed a Fellow for a short time in 1811. According to the DNB, he was bound apprentice to a freeman of London, Humphrey Gregory Pridden, a printer. He was admitted a Liveryman of the Stationer’s Company in London in 1807. He worked as a printer-publisher and editor, and owned premises in London at 21 Tooke’s Court, Cursitor Street (1811) and later at Red Lion Court, Fleet Street (1821). He published numerous works of ancient and modern literature, and was the printer and publisher of periodical The Museum (1822-1825). He worked with E.H. Barker of Thetford, George Burges, George Dyer, and T.S. Hughes. He retired from the publishing industry in 1837. On February 25, 1813 he married Harriet Wylde at Burrington, Somerset. John and Harriet Wylde lived in greater London and died without issue. John died on November 19, 1854 at St. John’s Wood Road, London, and is buried at All Soul’s, Kensal Green, London.—lmw, ebb
wrote back a letter so very kind & friendly that it was quite irresistible & with it came an epistle from the EditorPeter Bayley | Born: 1778 in Nantwich, Cheshire, England. Died: 1823-01-25 in London, England.
Solicitor, poet, playwright, and editor of the The Museum. Married to the Mrs. Bayley mentioned in Mitford's letter to Talfourd of 11 May 1825 . Source: DNB. —ebb, lmw

in which amidst a shower of compliments he reiterates his original charge of imitation & conjured me not to waste my powers by catching up page 2
the peculiarities of a style &c. &c. Now I am so guiltless of intentional imitation that I did not even guess what poet he meant till a letter from Miss Nooth,Charlotte Nooth | Born: 1780 in Ireland. Died: .
A friend of Dr. Richard Valpy, who resided at Kew, Surrey, but often visited Paris. She wrote a poem to Dr. Valpy and published volumes of poetry in 1815 & 1816, including a verse tragedy, as well as a novel, Eglantine, published by A.J. Valpy—scw, lmw

who was I suppose behind the scenes, explained the mystery by advising me not "to pervert my dramatic Style by the example of Barry CornwallBryan Waller Procter, or: Barry Cornwall | Born: 1787-11-21 in Leeds, Yorkshire, England. Died: 1874-10-05 in London, England.
A friend of Charles Lamb, Procter contributed poetry to the Naturalist's Calendar owned by Mitford and later contributed to the 1838 Finden's Tableaux edited by Mitford. He wrote a biography of Edmund Kean in 1835 and a biography of Lamb in 1866.—lmw
—not to be pretty & simple but pointed & polished & concise" & so on. You know her notions on poetry & the drama—& by the bye I don't believe that she ever [del: .] read a line of Barry CornwallBryan Waller Procter, or: Barry Cornwall | Born: 1787-11-21 in Leeds, Yorkshire, England. Died: 1874-10-05 in London, England.
A friend of Charles Lamb, Procter contributed poetry to the Naturalist's Calendar owned by Mitford and later contributed to the 1838 Finden's Tableaux edited by Mitford. He wrote a biography of Edmund Kean in 1835 and a biography of Lamb in 1866.—lmw
s & I am pretty sure that she has never seen any dramatic poetry of mine. But I don't see why Mr. BayleyPeter Bayley | Born: 1778 in Nantwich, Cheshire, England. Died: 1823-01-25 in London, England.
Solicitor, poet, playwright, and editor of the The Museum. Married to the Mrs. Bayley mentioned in Mitford's letter to Talfourd of 11 May 1825 . Source: DNB. —ebb, lmw

should fancy an imitation if none existed & I have mentioned the circumstance in order to implore you to tell me frankly if there is in my Dramatic ScenesDramatic Scenes, Sonnets, and Other Poems. . Mary Russell Mitford. London : G. B. Whittaker . 1827. any culpable "catching at the peculiarities of Mr. ProctorBryan Waller Procter, or: Barry Cornwall | Born: 1787-11-21 in Leeds, Yorkshire, England. Died: 1874-10-05 in London, England.
A friend of Charles Lamb, Procter contributed poetry to the Naturalist's Calendar owned by Mitford and later contributed to the 1838 Finden's Tableaux edited by Mitford. He wrote a biography of Edmund Kean in 1835 and a biography of Lamb in 1866.—lmw
's style." There is a resemblance in form certainly—& though I have never seen his delightful work since I read it very hastily & admired it very much soon after its [gap: 1 word, reason: torn.][publication] yet I am aware that certain forms of dialogue may [gap: 2 words, reason: torn.][have fixed] themselves in my mind & may have been unconsciously transferred to my own pages. Do tell me if it is so.—I have just heard of a worse affair in these MuseumThe Museum; or Record of Literature, Fine Arts, Antiquities, the Drama, &c.. 1822-04-27.
Weekly periodical edited by Peter Bayley and printed by John Valpy.—lmw
Managers than the notice.—They have actually lost my articles, & want to throw the blame on the poor dear DoctorRichard Valpy, Doctor of Divinity, or: Dr. Valpy | Born: 1754-12-07 in St. John’s, Jersey, Channel Islands. Died: 1836-03-28 in Reading, Berkshire, England.
Richard Valpy (the fourth of that name) was the eldest son of Richard Valpy [III] and Catherine Chevalier. He was a friend and literary mentor to Mary Russell Mitford. He matriculated at Pembroke College, Oxford University on April 1, 1773, aged eighteen, as a Morley scholar. He received from Oxford a B.A. (1776), M.A. (1784), B.D. & D.D. (1792). He took orders in the Church of England in 1777. Richard Valpy served as Second Master at Bury School, Bury, Huntindonshire from 1771 to 1781, and was also collated to the rectory of Stradishall, Suffolk, in 1787. He became the Headmaster at Reading School, Reading, Berkshire, in 1781 and served until 1830, at which time he turned the Headmastership over to his youngest son Francis E. J. Valpy and continued in semi-retirement until his death in 1836. During his tenure as Headmaster of Reading Grammar School for boys over the course of fifty years, he expanded the boarding school and added new buildings. He is the author of numerous published works, including Greek and Latin textbooks, sermons, volumes of poetry, and adaptations of plays such as Shakespeare’s King John and Sheridan’s The Critic. His Elements of Greek Grammar, Elements of Latin Grammar,,Greek Delectus and Latin Delectus, printed and published by his son A. J. Valpy, were all much used as school texts throughout the nineteenth century. Valpy’s students performed his own adaptations of Greek, Latin, and English plays for the triennial visitations and the play receipts went to charitable organizations. Valpy enlisted Mitford to write reviews of the productions for the Reading Mercury. In 1803, his adaptation of Shakespeare’s King John was performed at Covent Garden Theatre.
Richard Valpy was married twice and had twelve children, eleven of whom lived to adulthood. His first wife was Martha Cornelia de Cartaret; Richard and Martha were married about 1778 and they had one daughter, Martha Cartaretta Cornelia. His first wife Martha died about 1780 and he married Mary Benwell of Caversham, Oxfordshire on May 30, 1782. Together they had six sons and five daughters and ten of their eleven children survived to adulthood. Richard Valpy and Mary Benwell’s sons were Richard Valpy (the fifth of that name), Abraham John Valpy, called John; Gabriel Valpy, Anthony Blagrove Valpy; and Francis Edward Jackson Valpy. His daughters were Mary Ann Catherine Valpy; Sarah Frances Valpy, called Frances or Fanny; Catherine Elizabeth Blanch Valpy; Penelope Arabella Valpy; and Elizabeth Charlotte Valpy, who died as an infant.
Richard Valpy died on March 28, 1836 in Reading, Berkshire, and is buried in All Souls cemetery, Kensal Green, London. Dr. Valpy’s students placed a marble bust of him in St. Lawrence’s church, Reading, Berkshire, after his death. John Opie painted Dr. Valpy’s portrait. See .—ebb, lmw
whom I believe to be as innocent in the matter as a Dove. Well. PapaGeorge Mitford, Esq., or: George Midford | Born: . Died: .
Father of Mary Rusell Mitford, George Mitford was the son of Francis Midford, surgeon, and Jane Graham. The family name is sometimes recorded as Midford. Immediate family called him by nicknames including Drum, Tod, and Dodo. He was a member of a minor branch of the Mitfords of Mitford Castle in Northumberland. Although later sources would suggest that he was a graduate of the University of Edinburgh medical school, there is no evidence that he obtained a medical degree and he did not generally refer to himself as Dr. Mitford, preferring to style himself Esq.. In 1784, he is listed in a Hampshire directory as surgeon (medicine) of Alresford. His father and grandfather worked as apothecary-surgeons and it seems likely that he served a medical apprenticeship with family members.
He married Mary Russell on October 17, 1785 at New Alresford, Hampshire. On the marriage allegation papers, both gave their addresses as Old Alresford; they later came to live at Broad Street in New Alresford. Their only child to live to adulthood, Mary Russell Mitford, was born two years later on December 16, 1787 at New Alresford, Hampshire. He assisted Mitford's literary career by representing her interests in London and elsewhere with theater owners and publishers. He was active in Whig politics and later served as a local magistrate. He coursed greyhounds with his friend James Webb.
—lmw
will take them in hand—I have not made him promise not to scold them—& Mr. BayleyPeter Bayley | Born: 1778 in Nantwich, Cheshire, England. Died: 1823-01-25 in London, England.
Solicitor, poet, playwright, and editor of the The Museum. Married to the Mrs. Bayley mentioned in Mitford's letter to Talfourd of 11 May 1825 . Source: DNB. —ebb, lmw

is likely enough to come in for a small portion of the hoarded wrath excited by  Mr. his friend Mr. Kemble.Charles Kemble | Born: 1775-11-25 in Brecon, South Wales. Died: 1854-11-12 in England.
British actor, the younger brother of John Phillip Kemble and Sarah Siddons. Although he was considered by some to be as fine an actor as his sister and brother, he mostly appeared in secondary rather than leading roles. Father of Frances Kemble. One of the co-proprietors of Covent Garden Theatre . He served as Examiner of Plays in the early nineteenth-century, reviewing plays for licensing by the Lord Chamberlain.—lmw
—Perhaps his is one of the Rotation Tragedies—John ValpyAbraham John Valpy | Born: 1786-10-30 in Reading, Berkshire, England. Died: 1854-11-19 in St. John’s Wood Road, London, England.
Abraham John Valpy, called John or A.J. Dr. Richard Valpy’s second son, Abraham John was born about 1786 and was baptized on October 30, 1786 in Reading, Berkshire. He was educated at Reading School and then matriculated at Pembroke College, Oxford on April 25, 1805; from that institution, he received his B.A. (1809) and M.A. (1811) and was appointed a Fellow for a short time in 1811. According to the DNB, he was bound apprentice to a freeman of London, Humphrey Gregory Pridden, a printer. He was admitted a Liveryman of the Stationer’s Company in London in 1807. He worked as a printer-publisher and editor, and owned premises in London at 21 Tooke’s Court, Cursitor Street (1811) and later at Red Lion Court, Fleet Street (1821). He published numerous works of ancient and modern literature, and was the printer and publisher of periodical The Museum (1822-1825). He worked with E.H. Barker of Thetford, George Burges, George Dyer, and T.S. Hughes. He retired from the publishing industry in 1837. On February 25, 1813 he married Harriet Wylde at Burrington, Somerset. John and Harriet Wylde lived in greater London and died without issue. John died on November 19, 1854 at St. John’s Wood Road, London, and is buried at All Soul’s, Kensal Green, London.—lmw, ebb
said he had one in the Theatre—at least he said the EditorPeter Bayley | Born: 1778 in Nantwich, Cheshire, England. Died: 1823-01-25 in London, England.
Solicitor, poet, playwright, and editor of the The Museum. Married to the Mrs. Bayley mentioned in Mitford's letter to Talfourd of 11 May 1825 . Source: DNB. —ebb, lmw

had one—whom we then took forMr. Soane .—I am quite ashamed of this interminable letter—I hope PapaGeorge Mitford, Esq., or: George Midford | Born: . Died: .
Father of Mary Rusell Mitford, George Mitford was the son of Francis Midford, surgeon, and Jane Graham. The family name is sometimes recorded as Midford. Immediate family called him by nicknames including Drum, Tod, and Dodo. He was a member of a minor branch of the Mitfords of Mitford Castle in Northumberland. Although later sources would suggest that he was a graduate of the University of Edinburgh medical school, there is no evidence that he obtained a medical degree and he did not generally refer to himself as Dr. Mitford, preferring to style himself Esq.. In 1784, he is listed in a Hampshire directory as surgeon (medicine) of Alresford. His father and grandfather worked as apothecary-surgeons and it seems likely that he served a medical apprenticeship with family members.
He married Mary Russell on October 17, 1785 at New Alresford, Hampshire. On the marriage allegation papers, both gave their addresses as Old Alresford; they later came to live at Broad Street in New Alresford. Their only child to live to adulthood, Mary Russell Mitford, was born two years later on December 16, 1787 at New Alresford, Hampshire. He assisted Mitford's literary career by representing her interests in London and elsewhere with theater owners and publishers. He was active in Whig politics and later served as a local magistrate. He coursed greyhounds with his friend James Webb.
—lmw
will find you quite recovered.—Adieu my dear & kind friendThomas Noon Talfourd | Born: 1795-05-26 in Reading, Berkshire, England. Died: 1854-03-13 in Stafford, Staffordshire, England.
Close friend, literary mentor, and frequent correspondent of Mary Russell Mitford. A native of Reading, Talfourd was educated at the Reading’s newly-established Mill Hill school, a dissenting academy, from 1808 to 1810. He attended Dr. Richard Valpy’s Reading School from 1810 to 1812. His career in law began with a legal apprenticeship with Joseph Christy, special pleader, in 1817. He was called to the bar in London in 1821 and ultimately earned a D.C.L. (Doctor of Civil Laws) from Oxford on June 20, 1844. While establishing his practice as a barrister and special pleader, he worked as legal correspondent for The Times, reporting on the Oxford Circuit, and also continued his literary interests. After 1833, he was appointed Serjeant at Law, as well as a King’s and Queen’s Counsel. He was elected and served as Member of Parliament for Reading from 1835 to 1841 and from 1847 to 1849 ; he served with Charles Fyshe Palmer, Charles Russell, and Francis Piggott. Highlights of his political and legal career included introducing the first copyright bill into Parliament in 1837 (for which action Charles Dickens dedicated Pickwick Papers to him) and defending Edward Moxon’s publication of Percy Shelley’s Queen Mab in 1841 . He was appointed Queen’s Serjeant in 1846 and Judge of Common Pleas in 1849 , at which post he served until his death in 1854. He was knighted in 1850 .
Talfourd’s literary works include his plays Ion (1835), The Athenian Captive (1837) and Glencoe, or the Fate of the MacDonalds(1839).
—lmw, cmm, ebb


I cannot tell you with how much gratitude I am always your's
M.R. MitfordMary Russell Mitford | Born: 1787-12-16 in New Alresford, Hampshire, England. Died: 1855-01-10 in Swallowfield, Berkshire, England.
Poet, playwright, writer of prose fiction sketches, Mary Russell Mitford is, of course, the subject of our archive. Mary Russell Mitford was born on December 16, 1787 at New Alresford, Hampshire, the only child of George Mitford (or Midford) and Mary Russell. She was baptized on February 29, 1788. Much of her writing was devoted to supporting herself and her parents. She received a civil list pension in 1837. Census records from 1841 indicate that she is living with her father George, three female servants: Kerenhappuch Taylor (Mary’s ladies maid), two maids of all work, Mary Bramley and Mary Allaway, and a manservant (probably serving also as gardener), Benjamin Embury. The 1851 census lists her occupation as authoress, and lists her as living at Three Mile Cross with Kerenhappuch Taylor (lady’s maid), Sarah Chernk (maid-of-all-work), and Samuel Swetman (gardener), after the death of her father. Mitford’s long life and prolific career ended after injuries from a carriage accident. She is buried in Swallowfield churchyard. The executor of her will and her literary executor was the Rev. William Harness and her lady’s maid, Kerenhappuch Taylor Sweetman, was residuary legatee of her estate. —lmw, ebb


Do you think there would be any use in shewing the altered FoscariFoscari: A Tragedy. Mary Russell Mitford. London : G. B. Whittaker . 1826. to Mr. MilmanHenry Hart Milman, Very Reverend, or: Very Reverend | Born: 1791-02-10 in London, England. Died: 1868-09-24 in London, England.
After a brilliant career at Brasenose College, Oxford, Milman was ordained into the Church of England in 1816 and became parish priest of St Mary's, Reading, in 1818, where he became acquainted with Mary Russell Mitford. Mitford mentions Milman's literary, critical, and editing work in her correspondence and indicates that he made written suggestions on the manuscript of Foscari in 1821. Milman was elected professor of poetry at Oxford in 1821; Sir Robert Peel made him Rector of St Margaret's, Westminster, and Canon of Westminster in 1835, and in 1849 he became Dean of St Paul's. He published poetry, several tragedies, and hymns, as well as translations of Euripides, and an edition of Horace. He also wrote several important histories, including History of the Jews (1829), History of Christianity to the Abolition of Paganism in the Roman Empire (1840), and History of Latin Christianity (1855); he also edited Edward Gibbon's Decline and Fall of the Roman Empire and published a Life of Gibbon (1838, 1839). Milman was buried in St Paul's Cathedral.—lmw
—It is much better than the original play certainly (thanks to you!)—& his good word would go far with the Kemble'sthe Kembles | the Kemble family
Includes Charles Kemble, his brother John Phillip Kemble, his sister Sarah Siddons, his wife Mrs. Charles Kemble, and his daughter Fanny Kemble, all of whom were actors.—ebb
—but then I suppose he is pledged to the Sicilian Vesper TragedyThe Vespers of Palermo: A Tragedy in Five Acts. Felicia Hemans. 1823. —What do you think—I have never yet had the heart to write out the alterations—but that would soon be done.

You will tell PapaGeorge Mitford, Esq., or: George Midford | Born: . Died: .
Father of Mary Rusell Mitford, George Mitford was the son of Francis Midford, surgeon, and Jane Graham. The family name is sometimes recorded as Midford. Immediate family called him by nicknames including Drum, Tod, and Dodo. He was a member of a minor branch of the Mitfords of Mitford Castle in Northumberland. Although later sources would suggest that he was a graduate of the University of Edinburgh medical school, there is no evidence that he obtained a medical degree and he did not generally refer to himself as Dr. Mitford, preferring to style himself Esq.. In 1784, he is listed in a Hampshire directory as surgeon (medicine) of Alresford. His father and grandfather worked as apothecary-surgeons and it seems likely that he served a medical apprenticeship with family members.
He married Mary Russell on October 17, 1785 at New Alresford, Hampshire. On the marriage allegation papers, both gave their addresses as Old Alresford; they later came to live at Broad Street in New Alresford. Their only child to live to adulthood, Mary Russell Mitford, was born two years later on December 16, 1787 at New Alresford, Hampshire. He assisted Mitford's literary career by representing her interests in London and elsewhere with theater owners and publishers. He was active in Whig politics and later served as a local magistrate. He coursed greyhounds with his friend James Webb.
—lmw
whether Mr. MacreadyWilliam Charles Macready | Born: 1793-03-03 in London, England. Died: 1873-04-27 in Cheltenham, Gloucestershire, England.
English actor, one of the most prominent tragedians of his era. He appeared at Covent Garden and Drury Lane Theatres in London and also toured the United States. He appeared in Sheridan Knowles's William Tell, Byron's Sardanapolus, and Bulwer-Lytton's Money (1840), as well as in many Shakespearean roles. He also managed both Covent Garden and Drury Lane Theatres. In his role as actor-manager, Macready was a correspondent and collaborator with Mary Russell Mitford. The first play on which they worked was Mitford's Julian. Mitford dedicated to Macready the print edition of Julian: To William Charles Macready, Esq., with high esteem for those endowments which have cast new lustre on his art; with warm admiration for those powers which have inspired, and that taste which has fostered the tragic dramatists of his age; with heartfelt gratitude for the zeal with which he befriended the production of a stranger, for the judicious alterations which he suggested, and for the energy, the pathos, and the skill with which he more than emhodied its principal character; this tragedy is most respectfully dedicated by the author. Macready retired from the stage in 1851. —lmw
is really coming & when.—& whether you come too—Oh do pray.—And whether you are really & truly quite quite well again—Once more Good bye.—I am ashamed of this sad scrawl.

To T. N. TalfourdThomas Noon Talfourd | Born: 1795-05-26 in Reading, Berkshire, England. Died: 1854-03-13 in Stafford, Staffordshire, England.
Close friend, literary mentor, and frequent correspondent of Mary Russell Mitford. A native of Reading, Talfourd was educated at the Reading’s newly-established Mill Hill school, a dissenting academy, from 1808 to 1810. He attended Dr. Richard Valpy’s Reading School from 1810 to 1812. His career in law began with a legal apprenticeship with Joseph Christy, special pleader, in 1817. He was called to the bar in London in 1821 and ultimately earned a D.C.L. (Doctor of Civil Laws) from Oxford on June 20, 1844. While establishing his practice as a barrister and special pleader, he worked as legal correspondent for The Times, reporting on the Oxford Circuit, and also continued his literary interests. After 1833, he was appointed Serjeant at Law, as well as a King’s and Queen’s Counsel. He was elected and served as Member of Parliament for Reading from 1835 to 1841 and from 1847 to 1849 ; he served with Charles Fyshe Palmer, Charles Russell, and Francis Piggott. Highlights of his political and legal career included introducing the first copyright bill into Parliament in 1837 (for which action Charles Dickens dedicated Pickwick Papers to him) and defending Edward Moxon’s publication of Percy Shelley’s Queen Mab in 1841 . He was appointed Queen’s Serjeant in 1846 and Judge of Common Pleas in 1849 , at which post he served until his death in 1854. He was knighted in 1850 .
Talfourd’s literary works include his plays Ion (1835), The Athenian Captive (1837) and Glencoe, or the Fate of the MacDonalds(1839).
—lmw, cmm, ebb
Esqre.