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First digital edition in TEI, date: 18 June 2014. P5.Edition made with help from photos taken by Digital Mitford editors. The Digital Mitford editors' photos from this archive are not permitted for public distribution. Photo files: DSCF6100.JPG, DSCF6101.JPG, DSCF6102.JPG, DSCF6103.JPG, .
Digital Mitford Letters: The Mary Russell Mitford Archive
Repository: The John Rylands University Library. Shelf mark: JRL English MS 665 no. 4; Coles no. 16
Sheet of paper folded in half with correspondence on all four leaves, then folded in thirds twice more and sealed for posting. Address leaf missing. No seal.Hands other than Mitford's noted on this manuscript:
choice,
sic, and
regto encode both Mitford’s spelling and the regular international standard of Oxford English spelling, following the first listed spelling in the Oxford English Dictionary. The long s and ligatured forms are not encoded.
Maintained by: Elisa E. Beshero-Bondar (eeb4 at psu.edu) Last modified: 2024-11-21T14:05:28.655867Z
I thank you very much, my dear SirThomas Noon Talfourd | Born: 1795-05-26 in Reading, Berkshire, England. Died: 1854-03-13 in Stafford, Staffordshire, England.
Close friend, literary mentor, and frequent correspondent of Mary Russell Mitford. A native of Reading, Talfourd was educated at the Reading’s newly-established Mill Hill school, a
dissenting academy, from 1808 to 1810. He attended Dr. Richard Valpy’s Reading School from 1810 to 1812. His career in law began with a legal apprenticeship with Joseph Christy, special pleader, in
1817. He was called to the bar in London in 1821 and ultimately earned a
D.C.L. (Doctor of Civil Laws) from Oxford on June 20, 1844. While
establishing his practice as a barrister and special pleader, he worked as
legal correspondent for The
Times, reporting on the Oxford
Circuit, and also continued his literary interests. After 1833,
he was appointed Serjeant at Law, as well as a King’s and Queen’s Counsel.
He was elected and served as Member of Parliament for
Reading
from 1835 to 1841 and from 1847 to 1849
; he served with Charles Fyshe
Palmer, Charles Russell, and
Francis Piggott. Highlights of his political and
legal career included introducing the first copyright bill
into Parliament in 1837 (for which action Charles
Dickens dedicated Pickwick Papers
to him) and defending Edward
Moxon’s publication of Percy Shelley’s
Queen Mab in 1841
. He was appointed Queen’s Serjeant in 1846
and Judge of Common Pleas in 1849
, at which post he served until his death in 1854. He
was knighted in 1850
.
Talfourd’s literary works include his plays
Ion (1835),
The Athenian Captive (1837) and
Glencoe, or the Fate of the
MacDonalds(1839).
—lmw, cmm, ebb
, for your kind letter—Two or three times in reading
the announcement of Lord ByronGeorge Gordon Noel Byron, 6th Baron Byron | Born: 1788-01-22 in Holles Street, London, England. Died: 1824-04-19 in Missolonghi, Greece.
Romantic-era poet, playwright, and celebrity. English peer after he inherited the Barony of Byron of Rochdale in 1798. He died fighting for independence for Greece. Friend of William Harness.—lmw
's
new TragedyThe Two Foscari: A Tragedy. Lord Byron. : J. Murray. 1821.
A historical blank verse tragedy by Lord Byron that tells the story of Doge Foscari in a markedly different way from Mitford's
Foscari. Mitford had submitted her play to the management of Covent Garden for possible production on the very same day at the end of 1821 that Byron's
Two Foscari was published along with two additonal plays, Sardanapalus and Cain. Byron's
Two Foscari was never performed during his lifetime, but it served as the source material for Verdi's opera I due Foscari.—err I have thought
What if he should take the other Venetian story!—so that the
intelligence was not so great a surprise as you expected—but quite as
great a vexation. What shall we do? I think with our excellent friend
Mr. QualeMr. Quayle
Quayle
Mr.
Mr. Quale
Mentioned in Mitford’s letters of November 6 and 16
1821 as a friend willing to help in Mitford’s theatrical aspirations. Surname
spelled in the letter of November 16 as Quale. Forename unknown. Not identified
in Coles. Needs further research.
—lmw that this
unpleasant coincidence my possibly accelerate the acceptance of the
piece—but I believe that you think with me that it will very much
diminish its chance of success in representation, & certainly
bring with it such a train of comparison and depreciation afterwards
as the poor FoscariFoscari: A Tragedy.
London
:
G. B. Whittaker
. 1826. will never
have strength or root enough to bear. My
FoscariFoscari: A Tragedy.
London
:
G. B. Whittaker
. 1826. I
mean—Lord ByronGeorge Gordon Noel Byron, 6th Baron Byron | Born: 1788-01-22 in Holles Street, London, England. Died: 1824-04-19 in Missolonghi, Greece.
Romantic-era poet, playwright, and celebrity. English peer after he inherited the Barony of Byron of Rochdale in 1798. He died fighting for independence for Greece. Friend of William Harness.—lmw
will probably
make a fine play of that touching story—ManfredManfred. gave strong indications of dramatic talent
& the failure of Marino
FalieroMarino Faliero. seemed to spring chiefly from the defects of the
plot & the superfluity of painstaking—Oh this Doge of VeniceFrancesco Foscari, Doge
Historical Doge of Venice on whom Mitford based her Doge in Foscari. Mitford's declared historical source is A View of Society and Manners in Italy by Dr. John Moore.—ebb will be a very
different thing—Even if it were bad there would be the great name to
contend with—the general pretention in his favour—the strange awe in
which he holds the critics—The hangers on who love Lords—the
Fetchers & Carriers of Bays
[2]
Coles suggests two
close quotations from Pope. I would also suggest this, from
Adam Smith, The Wealth of Nations, book
IV, II, para. 20: But as the bounty upon corn occasions a
greater exportation in years of plenty, so it must of
consequence occasion a greater importation in years of scarcity,
than in the actual state of tillage would otherwise take place.
By means of it, the plenty of one year does not compensate the
scarcity of another, and as the average quantity exported is
necessarily augmented by it, so must likewise, in the actual
state of tillage, the average quantity imported. If there were
no bounty, as less corn would be exported, so it is probable
that, one year with another, less would be imported than at
present. The corn merchants, the fetchers
and carriers of corn between Great Britain and
foreign countries, would have much less employment, and might
suffer considerably; but the country gentlemen and farmers could
suffer very little. It is in the corn merchants accordingly,
rather than in the country gentlemen and farmers, that I have
observed the greatest anxiety for the renewal and continuation
of the bounty.
—lmw who affect poetry—all the pretenders of
all sides Holland HouseHolland House circle | Holland House set
In Mitford's time, Holland
House in Kensington was
the home of Henry Richard Vassall Fox, 3rd Baron
Holland, Whig politician. His house became a center for liberal
and Whig politicians, writers, and artists. In 1813,
Mitford dedicated her Narrative Poems on the
Female Character to Lord Holland
. See Coles, #16, p. 92, note
4.—lmw
& MurrayJohn Samuel Murray | Born: 1778-11-27 in Fleet Street, London, England. Died: 1843-06-27.
John Murray (second of that name) was proprietor of the publishing house bearing his name. The business was founded in 1768 by his father, John Mac Murray (1745–1793), (who later changed the family name to Murray), and was continued by his son, John Murray III. Byron's friend, correspondent, and early publisher. He also published works by Austen, Scott, Washington Irving, and Crabbe, and he helped to found the Quarterly Review and the Edinburgh Review. Under his leadership, the firm developed into one of the most important and influential publishing houses in Romantic-era Great Britain. After 1812, his publishing house premises (and home) in London were at 50 Albermarle Street in Mayfair. He is buried at All Soul's, Kensal Green, London.—ajc, lmw
s & the QuarterlyQuarterly Review. 1809-1967.
Tory periodical founded by George
Canning in 1809, published by John
Murray. William
Gifford edited the Quarterly Review from its founding in 1809 until 1824, was succeeded briefly by
John Taylor Coleridge in 1825,
until John Gibson Lockhart took over as
editor from 1826 through 1853. Archived at Romantic Circles, Quarterly Review Archive
—lmw—to say nothing of
the posible scoffs & sneers of the noble
AuthorGeorge Gordon Noel Byron, 6th Baron Byron | Born: 1788-01-22 in Holles Street, London, England. Died: 1824-04-19 in Missolonghi, Greece.
Romantic-era poet, playwright, and celebrity. English peer after he inherited the Barony of Byron of Rochdale in 1798. He died fighting for independence for Greece. Friend of William Harness.—lmw
—think if he were to immolate my poor FoscariFoscari: A Tragedy.
London
:
G. B. Whittaker
. 1826.
& me
so
in another letter to John MurrayJohn Samuel Murray | Born: 1778-11-27 in Fleet Street, London, England. Died: 1843-06-27.
John Murray (second of that name) was proprietor of the publishing house bearing his name. The business was founded in 1768 by his father, John Mac Murray (1745–1793), (who later changed the family name to Murray), and was continued by his son, John Murray III. Byron's friend, correspondent, and early publisher. He also published works by Austen, Scott, Washington Irving, and Crabbe, and he helped to found the Quarterly Review and the Edinburgh Review. Under his leadership, the firm developed into one of the most important and influential publishing houses in Romantic-era Great Britain. After 1812, his publishing house premises (and home) in London were at 50 Albermarle Street in Mayfair. He is buried at All Soul's, Kensal Green, London.—ajc, lmw
—or to hitch me into a
fresh Canto of Don JuanDon Juan.
Byron
. London: Hunt.
Published in parts between 1820 and
1824.—lmw
Mitford rated it good but wicked. In journal entry Saturday 31 July
1819
.—lmw—Oh my
dear Mr. TalfourdThomas Noon Talfourd | Born: 1795-05-26 in Reading, Berkshire, England. Died: 1854-03-13 in Stafford, Staffordshire, England.
Close friend, literary mentor, and frequent correspondent of Mary Russell Mitford. A native of Reading, Talfourd was educated at the Reading’s newly-established Mill Hill school, a
dissenting academy, from 1808 to 1810. He attended Dr. Richard Valpy’s Reading School from 1810 to 1812. His career in law began with a legal apprenticeship with Joseph Christy, special pleader, in
1817. He was called to the bar in London in 1821 and ultimately earned a
D.C.L. (Doctor of Civil Laws) from Oxford on June 20, 1844. While
establishing his practice as a barrister and special pleader, he worked as
legal correspondent for The
Times, reporting on the Oxford
Circuit, and also continued his literary interests. After 1833,
he was appointed Serjeant at Law, as well as a King’s and Queen’s Counsel.
He was elected and served as Member of Parliament for
Reading
from 1835 to 1841 and from 1847 to 1849
; he served with Charles Fyshe
Palmer, Charles Russell, and
Francis Piggott. Highlights of his political and
legal career included introducing the first copyright bill
into Parliament in 1837 (for which action Charles
Dickens dedicated Pickwick Papers
to him) and defending Edward
Moxon’s publication of Percy Shelley’s
Queen Mab in 1841
. He was appointed Queen’s Serjeant in 1846
and Judge of Common Pleas in 1849
, at which post he served until his death in 1854. He
was knighted in 1850
.
Talfourd’s literary works include his plays
Ion (1835),
The Athenian Captive (1837) and
Glencoe, or the Fate of the
MacDonalds(1839).
—lmw, cmm, ebb
what would
become of me! With these feelings nothing prevents my immediately
requesting you to send back the play but the paramount duty of getting
money—And yet even in that point of view it might be page 2
better policy to withdraw the piece. I suppose if once a Tragedy
were condemned or very coldly received it would be very difficult if
not impossible to get another accepted. What would you & Mr. QualeMr. Quayle
Quayle
Mr.
Mr. Quale
Mentioned in Mitford’s letters of November 6 and 16
1821 as a friend willing to help in Mitford’s theatrical aspirations. Surname
spelled in the letter of November 16 as Quale. Forename unknown. Not identified
in Coles. Needs further research.
—lmw advise? Shall FoscariFoscari: A Tragedy.
London
:
G. B. Whittaker
. 1826. be boldly offered either
through
your
Mr.
QualeMr. Quayle
Quayle
Mr.
Mr. Quale
Mentioned in Mitford’s letters of November 6 and 16
1821 as a friend willing to help in Mitford’s theatrical aspirations. Surname
spelled in the letter of November 16 as Quale. Forename unknown. Not identified
in Coles. Needs further research.
—lmw's friend or Mr.
MacreadyWilliam Charles Macready | Born: 1793-03-03 in London, England. Died: 1873-04-27 in Cheltenham, Gloucestershire, England.
English actor, one of the most prominent tragedians of his era. He appeared at Covent Garden and Drury Lane Theatres in London and also toured the United States. He appeared in Sheridan Knowles's William Tell, Byron's Sardanapolus, and Bulwer-Lytton's Money (1840), as well as in many Shakespearean roles. He also managed both Covent Garden and Drury Lane Theatres. In his role as actor-manager, Macready was a correspondent and collaborator with Mary Russell Mitford. The first play on which they worked was Mitford's Julian. Mitford dedicated to Macready the print edition of Julian: To William Charles Macready, Esq., with high esteem for those endowments which have cast new lustre on his art; with warm admiration for those powers which have inspired, and that taste which has fostered the tragic dramatists of his age; with heartfelt gratitude for the zeal with which he befriended the production of a stranger, for the judicious alterations which he suggested, and for the energy, the pathos, and the skill with which he more than emhodied its principal character; this tragedy is most respectfully dedicated by the author.
Macready retired from the stage in 1851.
—lmw
? Or shall I lay it quietly by & begin
another play on the instant from the first scene of the OrestesOrestes. Euripides. -0408. ? Never think any thing of my
trouble—I don't mind that—but tell me frankly & honestly which I
had better do. I cannot express to you the relief & comfort that
it is to me to have two such friends to refer to—two friends on whose
judgment & kindness I can so implicitly rely—Pray assure
Mr. QualeMr. Quayle
Quayle
Mr.
Mr. Quale
Mentioned in Mitford’s letters of November 6 and 16
1821 as a friend willing to help in Mitford’s theatrical aspirations. Surname
spelled in the letter of November 16 as Quale. Forename unknown. Not identified
in Coles. Needs further research.
—lmw of the sincere
gratitude which we all feel—I in particular—for his great &
unmerited goodness—I do not thank you.
I have no words.
Mr. QualeMr. Quayle
Quayle
Mr.
Mr. Quale
Mentioned in Mitford’s letters of November 6 and 16
1821 as a friend willing to help in Mitford’s theatrical aspirations. Surname
spelled in the letter of November 16 as Quale. Forename unknown. Not identified
in Coles. Needs further research.
—lmw's observations shew great
delicacy of taste & feeling—We both you know felt that the
catastrophe was given—the death I mean—to the wrong person—but then
it was done as I suppose you saw to conciliate Mr. YoungCharles Mayne Young, or:
Mr. Young
| Born: 1777-01-10 in Fenchurch Street, London, England. Died: 1856.
Actor who performed at Covent Garden and Drury Lane between 1807 and 1832. Acted under Mr. Young
. Rival of Kean. Known for his Hamlet.
Written about by Washington Irving. His son wrote a memoir of him in 1871.
—lmw
—The CamillaCamilla Donato
daughter of Senator Donato in
Mitford’s play Foscari
—ebb offer was my own fault.—I
wanted to throw into strong relief the unshaken faith & womanly
devotion of CamillaCamilla Donato
daughter of Senator Donato in
Mitford’s play Foscari
—ebb—&
allowing for a little Theatrical exaggeration—besides (to cut short
my excuses) I was getting near the end of the Play, could not afford
to let the interest slacken & did not know what else to make her
say—But I will alter it if you think it better —& if it could be
so managed in the casting the characters I should be delighted to give
FoscariFrancesco Foscari
character in Foscari
—ebb
See also historical counterpart: son of Doge Foscari.—ebb the death by joy.
Perhaps you will yourself take the trouble to make the few verbal
alterations which Mr. QualeMr. Quayle
Quayle
Mr.
Mr. Quale
Mentioned in Mitford’s letters of November 6 and 16
1821 as a friend willing to help in Mitford’s theatrical aspirations. Surname
spelled in the letter of November 16 as Quale. Forename unknown. Not identified
in Coles. Needs further research.
—lmw has
had the goodness to suggest in case you agree to [del: .]offer it to the
ManagerHenry Harris
At the time of Foscari’s
composition, Henry Harris was manager of Covent Garden Theatre. He took over
the management from October 1820, following the
death of his father, Thomas Harris, and the transfer by
John Kemble of his one-sixth share to
his younger brother Charles. Source:
Covent Garden Theatre and the Royal Opera House:
Management. Survey of London: Volume 35, the theatre Royal, Drury Lane, and the Royal Opera
House, Covent Garden. Ed. F. H. W. Shepard.
London: London County
Council, 1970. 71-85
.
British History Online. Web. 9 June 2015.—lmw
.. My friend Miss
JamesElizabeth Mary James, or:
Miss James
| Born: 1775 in Bath, Somerset, England. Died: 1861-11-25 in 3 Pembroke Villas, Richmond, Surrey, England.
Close friend and correspondent of Mary Russell Mitford. She was the eldest daughter of Thomas Webb and Susanna Haycock. Her father
died in 1818 and her mother in 1835. After her parents’ deaths, she lived with
her two younger sisters, Emily and Susan, in Green Park Buildings, Bath,
Walcot, Somerset; High Street, Mortlake, Surrey; and 3 Pembroke Villas,
Richmond, Surrey. According to Coles,
referring to Mitford’s diary, letters were also addressed to her at Bellevue,
Lower Road, Richmond (Coles 26). She was buried at St. Mary Magdalene, Richmond,
Surrey. In the 1841 census, she is listed as living on independent means;
in the 1851
census, as landholder;
in the 1861 census, she as railway
shareholder
.—lmw had an interview the other day with Mr. YoungCharles Mayne Young, or:
Mr. Young
| Born: 1777-01-10 in Fenchurch Street, London, England. Died: 1856.
Actor who performed at Covent Garden and Drury Lane between 1807 and 1832. Acted under Mr. Young
. Rival of Kean. Known for his Hamlet.
Written about by Washington Irving. His son wrote a memoir of him in 1871.
—lmw
—She did not mention FoscariFoscari: A Tragedy.
London
:
G. B. Whittaker
. 1826. —but on her sounding him
about new Tragedies, he said
he had one written expressly for
himself in page 3
She says
that he is engaged to be married to a rich widow & will only
remain on the Stage this season. If the Play (Foscari)Foscari: A Tragedy.
London
:
G. B. Whittaker
. 1826. should be presented & accepted,
would it do any good to get a letter to him from an intimate friend of
his in the Country? And had not we better call it
The FoscariFoscari: A Tragedy.
London
:
G. B. Whittaker
. 1826. ?—And, still
supposing that it be offered, shall we shew it—not for criticism or
recommendation, but as mere matter of compliment to Mr. MilmanHenry Hart Milman, Very Reverend, or:
Very Reverend
| Born: 1791-02-10 in London, England. Died: 1868-09-24 in London, England.
his pocket which he did not know whether
the ManagerHenry Harris
At the time of Foscari’s
composition, Henry Harris was manager of Covent Garden Theatre. He took over
the management from October 1820, following the
death of his father, Thomas Harris, and the transfer by
John Kemble of his one-sixth share to
his younger brother Charles. Source:
Covent Garden Theatre and the Royal Opera House:
Management. Survey of London: Volume 35, the theatre Royal, Drury Lane, and the Royal Opera
House, Covent Garden. Ed. F. H. W. Shepard.
London: London County
Council, 1970. 71-85
.
British History Online. Web. 9 June 2015.—lmw
. would
accept all was intrigue behind the Curtain.
After a brilliant career at Brasenose College, Oxford, Milman was ordained into the Church of England in 1816 and became parish priest of St Mary's, Reading, in 1818, where he became acquainted with Mary Russell Mitford. Mitford mentions Milman's literary, critical, and editing work in her correspondence and indicates that he made written suggestions on the manuscript of Foscari in 1821. Milman was elected professor of poetry at Oxford in 1821; Sir Robert Peel made him Rector of St Margaret's, Westminster, and Canon of Westminster in 1835, and in 1849 he became Dean of St Paul's. He published poetry, several tragedies, and hymns, as well as translations of Euripides, and an edition of Horace. He also wrote several important histories, including
History of the Jews
(1829),
History of Christianity to the Abolition of Paganism in the Roman Empire
(1840), and
History of Latin Christianity
(1855); he also edited Edward Gibbon's Decline and Fall of the Roman Empire and published a Life of Gibbon (1838, 1839). Milman was buried in St Paul's Cathedral.—lmw
? It would be something to
convince one of the QuarterlyQuarterly Review. 1809-1967.
Tory periodical founded by George
Canning in 1809, published by John
Murray. William
Gifford edited the Quarterly Review from its founding in 1809 until 1824, was succeeded briefly by
John Taylor Coleridge in 1825,
until John Gibson Lockhart took over as
editor from 1826 through 1853. Archived at Romantic Circles, Quarterly Review Archive
—lmw
people that at least it was not got up with any view to so impossible
thing as competition—or [del: .]even to take advantage of the immediate interest excited by the
announcement of Lord ByronGeorge Gordon Noel Byron, 6th Baron Byron | Born: 1788-01-22 in Holles Street, London, England. Died: 1824-04-19 in Missolonghi, Greece.
Romantic-era poet, playwright, and celebrity. English peer after he inherited the Barony of Byron of Rochdale in 1798. He died fighting for independence for Greece. Friend of William Harness.—lmw
's subject
but ^
wasreally written some months ago in the full hope &
intention of interfering with nobody—least of all with him. Mr. MilmanHenry Hart Milman, Very Reverend, or:
Very Reverend
| Born: 1791-02-10 in London, England. Died: 1868-09-24 in London, England.
After a brilliant career at Brasenose College, Oxford, Milman was ordained into the Church of England in 1816 and became parish priest of St Mary's, Reading, in 1818, where he became acquainted with Mary Russell Mitford. Mitford mentions Milman's literary, critical, and editing work in her correspondence and indicates that he made written suggestions on the manuscript of Foscari in 1821. Milman was elected professor of poetry at Oxford in 1821; Sir Robert Peel made him Rector of St Margaret's, Westminster, and Canon of Westminster in 1835, and in 1849 he became Dean of St Paul's. He published poetry, several tragedies, and hymns, as well as translations of Euripides, and an edition of Horace. He also wrote several important histories, including
History of the Jews
(1829),
History of Christianity to the Abolition of Paganism in the Roman Empire
(1840), and
History of Latin Christianity
(1855); he also edited Edward Gibbon's Decline and Fall of the Roman Empire and published a Life of Gibbon (1838, 1839). Milman was buried in St Paul's Cathedral.—lmw
is very kind &
gracious when we meet, & I really think it would propitiate
him—After all it is most likely that your decision will be not to
offer my FoscariFoscari: A Tragedy.
London
:
G. B. Whittaker
. 1826. —deplorably
womanish & feeble as it is! Do you think I shall ever write
better?
You are a thousand times too good to me about that wretched article—I
know the high gentlemanly spirit I had to do with & that the worse
I behaved the better you would. But I am forgiven—And there is
another Article written for the poor boys—which is the quickest
consolation possible—I saw & every body must see that the
WindsorWindsor, Berkshire, England | Windsor | Berkshire | England |
51.4817279 -0.6135759999999664
Market town in Berkshire, about twenty miles from Reading and twenty miles from Charing Cross. Location of royal
residence Windsor Castle. British royals resumed an active presence in
Windsor after 1778, when George III began use of Queen’s Lodge, and
continued with use of the Castle after 1804.
Two new army barracks were built in the town in the early nineteenth
century.—lmw paper manEditor of the Windsor and Eton Express
Mitford refers to this person as the Windsor paper man.
Presumably the editor or proprietor of the Windsor and Eton Express newspaper.
Unidentified. Dates unknown.—lmw must really have
taken pains to cut & mangle. Frank
CowsladeFrancis
Frank
Cowslade, or:
Frank
As Coles notes, Francis or Frank Cowslade was one of the publishers of the Reading Mercury newspaper (Coles # 16, p.95, note 11). He appears to have also worked as a Reading jobbing printer and bookseller; he is listed as such on two of the published political essays of the pseudonymousTimothy Trueman. —lmw is a bright Genius in the comparison. And I
am so glad of the entire EpilogueEpilogue to Orestes by Euripides. Euripides.
Talfourd wrote an Epilogue for a performance of
Orestes by Euripides
. Later printed in
Richard Valpy’s Poems, Odes, Prologues, and Epilogues Spoken on Public Occasions at
Reading School, second edition.
—lmw—And so much obliged for the promised
numbers—particularly the Greek Tragedy—I will be most careful of
them. I have just been reading Potter's
AeschylusThe Tragedies of Aeschylus. Aeschylus.
Translation of Aeschylus’s
plays read by Mitford.—ebb with the greatest possible delight. How much
finer & truer is his OrestesOrestes
Orestes, title character in the play Choephoræ or the Libation Bearers,
attributed to Aeschylus.—lmw in the Choe (Heaven send me through that
long page 4
hard word!) the ChoephoræChoephoræ, The Libation Bearers.
Athenian tragedy attributed to Aeschylus; the second play of the Oresteia
—lmw(Is that right?)—than the mean shuffling
goodfornothing heroOrestes
Orestes, title character in the play Orestes attributed to Euripides.—lmw of
EuripidesEuripides | Born: -0480 in Salamís. Died: -0406 in Macedonia.
Ancient world playwright, considered together with Aeschylus and Sophocles as establishing the classical foundation of Western tragedy. Author of
Ion
, on which Thomas Noon Talfourd later based his own play of the same title, as well as
Orestes
, and
Cyclops
, the only known complete example of a burlesque satyr play, translated into a satiric poem in 1819 by Percy Shelley
.
—ebb, lmw
? But AeschylusAeschylus | Born: -0525 in Eleusis, West Attica. Died: -0455 in Gela, Sicily.
Ancient writer of tragedies, the earliest of the three
celebrated progenitors of classical tragedy, including Euripides and Sophocles against both of whom he successfully competed for
prize-winning plays in ancient Greece. His plays are some of the earliest
existing examples of tragedy, though the genre likely predates him. Aeschylus,
like Euripides and Sophocles, served in military roles to fight the Persians.
Author of the historical tragedy, Persians (472 BC), as well as
the Oresteia (458 BC, the only
complete trilogy cycle of plays from ancient Greece, Aeschylus was
credited by the librarians at Alexandria with writing Prometheus Bound, though the authorship is
now disputed. Mitford knew and discussed the eighteenth-century translation of
Aeschylus’s plays by Robert
Potter
.
—ebb seems to be a much greater
person—no dramatic writer except ShakespeareWilliam Shakespeare | Born: 1564-04 in Stratford upon Avon, Warwickshire, England. Died: 1616-04-23 in Stratford upon Avon, Warwickshire, England.
Early modern era actor, theater manager, poet, and playwright. Part owner of playing company The Lord Chamberlain's men and author or co-author of thirty-eight plays. Considered the greatest English dramatist and Britain's national poet. Mitford wrote in the Introduction to her Dramatic Works: I had grown up—it is the privilege of English people to grow up—in the worship of Shakespeare, and many of his favourite scenes I literally knew by heart.
—lmw
ever astonished me so much—the scene of
CassandraCassandra
Daughter of King Priam and Queen Hecuba of Troy, Cassandra was a
prophet in ancient Greek mythology whose prophecies were never believed.—err in the AgamemnonAgamemnon.
Athenian tragedy attributed to Aeschylus; the first play of the Oresteia
—lmw—the description of the
combatants in the Seven chiefs before Thebes (which by the bye is like
ShakespeareWilliam Shakespeare | Born: 1564-04 in Stratford upon Avon, Warwickshire, England. Died: 1616-04-23 in Stratford upon Avon, Warwickshire, England.
Early modern era actor, theater manager, poet, and playwright. Part owner of playing company The Lord Chamberlain's men and author or co-author of thirty-eight plays. Considered the greatest English dramatist and Britain's national poet. Mitford wrote in the Introduction to her Dramatic Works: I had grown up—it is the privilege of English people to grow up—in the worship of Shakespeare, and many of his favourite scenes I literally knew by heart.
—lmw
s or
FletcherJohn Fletcher | Born: 1579 in Rye, Sussex, England. Died: 1625 in London, England.
Playwright following Shakespeare, contemporary of Ben Jonson in the early seventeenth century, and collaborator with Francis Beaumont. Some plays once attributed to Beaumont and Fletcher as a duo were now known to have been written by only one of them and/or with other collaborators.—ebb, rnes
's description
of the Champions in the Two Noble
KinsmenTwo Noble Kinsmen.
Tragicomedy likely first performed around 1613 and first printed in 1634; generally
accepted as being co-authored by John
Fletcher and William
Shakespeare.—lmw) & the whole conception of that sublime
PrometheusPrometheus
Prometheus, the title character in the tragedies attributed to
Aeschylus such as Prometheus Bound.—lmw —Oh
there is nothing like him. The translation is so fine too—so manly
& vigorous—all fire & fury. This is very impertinent in me to
talk of AeschylusAeschylus | Born: -0525 in Eleusis, West Attica. Died: -0455 in Gela, Sicily.
Ancient writer of tragedies, the earliest of the three
celebrated progenitors of classical tragedy, including Euripides and Sophocles against both of whom he successfully competed for
prize-winning plays in ancient Greece. His plays are some of the earliest
existing examples of tragedy, though the genre likely predates him. Aeschylus,
like Euripides and Sophocles, served in military roles to fight the Persians.
Author of the historical tragedy, Persians (472 BC), as well as
the Oresteia (458 BC, the only
complete trilogy cycle of plays from ancient Greece, Aeschylus was
credited by the librarians at Alexandria with writing Prometheus Bound, though the authorship is
now disputed. Mitford knew and discussed the eighteenth-century translation of
Aeschylus’s plays by Robert
Potter
.
—ebb to you—I did
the other day to a friend of your's—a great Grecian—not Mr. BurgessMr. Burgess
Burgess
Mr.
Forename unknown. Dates unknown. The person who recommended to Mitford a particular volume of Sophocles plays, mentioned in her letter to Talfourdof November 12 and 13, 1821.—lmw. Yes
—said
he—the PrometheusPrometheus Bound.
—Now what business has
that man to know Greek!
The authorship of this influential ancient Greek tragedy was
classically attributed to Aeschylus, but
this has been disputed since the mid-19th century.—ebb is
rather pretty—one of the prettiest
Will you have the goodness to put the enclosed note into the twopenny
post—This Miss JamesElizabeth Mary James, or:
Miss James
| Born: 1775 in Bath, Somerset, England. Died: 1861-11-25 in 3 Pembroke Villas, Richmond, Surrey, England.
Close friend and correspondent of Mary Russell Mitford. She was the eldest daughter of Thomas Webb and Susanna Haycock. Her father
died in 1818 and her mother in 1835. After her parents’ deaths, she lived with
her two younger sisters, Emily and Susan, in Green Park Buildings, Bath,
Walcot, Somerset; High Street, Mortlake, Surrey; and 3 Pembroke Villas,
Richmond, Surrey. According to Coles,
referring to Mitford’s diary, letters were also addressed to her at Bellevue,
Lower Road, Richmond (Coles 26). She was buried at St. Mary Magdalene, Richmond,
Surrey. In the 1841 census, she is listed as living on independent means;
in the 1851
census, as landholder;
in the 1861 census, she as railway
shareholder
.—lmw is a
pretty fellow—I sent her FoscariFoscari: A Tragedy.
London
:
G. B. Whittaker
. 1826. with the flower roots begging her of all love
to find no faults & suggest no alterations. She send me word that
I must alter so & so—throw round a thousand Valpeian
mystifications new write my second act, & new model my Fourth—so
I shall write her a dutiful note & say I won't.
—Good Lord here's the Postman
& I can't—yes I will—He must wait. Kindest regards from my
fatherGeorge Mitford, Esq., or:
George Midford
| Born: . Died: .
Father of Mary Rusell Mitford, George Mitford was the son of Francis Midford, surgeon, and Jane Graham. The family name is sometimes recorded as Midford
. Immediate family called him by nicknames including Drum
, Tod
, and Dodo
. He was a member of a minor branch of the Mitfords of Mitford Castle in Northumberland. Although later sources would suggest that he was a graduate of the University of Edinburgh medical school, there is no evidence that he obtained a medical degree and he did not generally refer to himself as Dr. Mitford
, preferring to style himself Esq.
. In 1784, he is listed in a Hampshire directory as surgeon (medicine)
of Alresford. His father and grandfather worked as apothecary-surgeons and it seems likely that he served a medical apprenticeship with family members.
He married Mary Russell on October 17, 1785 at New Alresford, Hampshire. On the marriage allegation papers, both gave their addresses as Old Alresford; they later came to live
at Broad Street in New Alresford. Their only child to live to adulthood,
Mary Russell Mitford, was born two years
later on December 16, 1787 at New
Alresford, Hampshire. He assisted Mitford's literary career by representing her interests in London and elsewhere with theater owners and publishers. He was active in Whig politics and later served as a local magistrate. He coursed greyhounds with his friend James Webb.
—lmw & MotherMary Russell Mitford, or: Mrs. Mitford | Born: 1750 in Ashe, Hampshire, England. Died: 1830-01-02 in Three Mile Cross, parish of Shinfield, Berkshire,
England.
Mary Russell was the youngest child of
the Rev. Dr. Richard Russell and
his second wife, Mary Dicker; she was born about 1750 in Ashe, Hampshire. (Her
birth date is as yet unverified; period sources indicate that she was ten years
older than her husband George, born in 1760.) Through the Russells, she was a
distant relation of the Dukes of Bedford (sixth creation, 1694). She had two
siblings, Charles William and Frances; both predeceased her and their parents,
which resulted in Mary Russell inheriting
her family’s entire estate upon her mother’s death in 1785. Her father’s rectory in Ashe was only a
short distance from Steventon, and so she was acquainted
with the young Jane Austen. She married
George Mitford or Midford on October 17, 1785 at New Alresford,
Hampshire. On the marriage allegation papers, both gave their
addresses as Old Alresford. Their only daughter,
Mary Russell Mitford, was born two years
later on December 16, 1787 at New
Alresford, Hampshire. Mary
Russell died on January 2, 1830 at
Three Mile Cross in the parish of Shinfield,
Berkshire. Her obituary in the 1830
New
Monthly Magazine gives New Year’s day
as the date of her death.—ajc, lmw
to you & Mr. QualeMr. Quayle
Quayle
Mr.
Mr. Quale
Mentioned in Mitford’s letters of November 6 and 16
1821 as a friend willing to help in Mitford’s theatrical aspirations. Surname
spelled in the letter of November 16 as Quale. Forename unknown. Not identified
in Coles. Needs further research.
—lmw—
authoress,and lists her as living at Three Mile Cross with Kerenhappuch Taylor (lady’s maid), Sarah Chernk (maid-of-all-work), and Samuel Swetman (gardener), after the death of her father. Mitford’s long life and prolific career ended after injuries from a carriage accident. She is buried in Swallowfield churchyard. The executor of her will and her literary executor was the Rev. William Harness and her lady’s maid, Kerenhappuch Taylor Sweetman, was residuary legatee of her estate. —lmw, ebb