Digital Mitford: Letter View

Letter to Sir William ElfordWilliam Elford, Sir, baronet, Recorder for Plymouth, Recorder for Totnes, Member of Parliament | Born: 1749-08 in Kingsbridge, Devon, England. Died: 1837-11-30 in Totnes, Devon, England.
According to L’Estrange, Sir William was first a friend of Mitford’s father, and Mitford met him for the first time in the spring of 1810 when he was a widower nearing the age of 64. They carried on a lively correspondence until his death in 1837.
Elford worked as a banker at Plymouth Bank (Elford, Tingcombe and Purchase) in Plymouth, Devon, from its founding in 1782. He was elected a member of Parliament for Plymouth as a supporter of the government and Tory William Pitt, and served from 1796 to 1806. After his election defeat in Plymouth in 1806, he was elected member of Parliament for Rye and served from July 1807 until his resignation in July 1808. For his service in Parliament as a supporter of Pitt, he was made a baronet in 1800. After his son Jonathan came of age, he tried to secure a stable government post for him but never succeeded. Mayor of Plymouth in 1796 and Recorder for Plymouth from 1797 to 1833, he was also Recorder for Totnes from 1832 to 1834. Sir William served as an officer in the South Devon militia from 1788, eventually attaining the rank of Lieutenant Colonel; the unit saw active service in Ireland during the Peninsular Wars. Sir William was a talented amateur painter in oils and watercolors who exhibited at the Royal Society from 1774 to 1837; he exhibited still lifes and portraits but preferred landscapes. He was elected to the Royal Society Academy in 1790. He was also a talented amateur naturalist and was elected to the Royal Linnaean Society in 1790; late in life, he published his findings on an alternative to yeast.
He married his first wife, Mary Davies of Plympton, on January 20, 1776 and they had one son, Jonathan, and two daughters, Grace Chard and Elizabeth. After the death of his first wife, he married Elizabeth Hall Walrond, widow of Lieutenant-Colonel Maine Swete Walrond of the Coldstream Guards. His only son Jonathan died in 1823, leaving him without an heir.
—ebb, lmw

, April 25, 1823.

Edited by Elizabeth RaisanenElizabeth Raisanen, Ph.D., Drama, Founding Editor, University of Oregon
Elizabeth Raisanen is the Director of Undergraduate Advising and an Instructor of Literature in the Robert D. Clark Honors College at the University of Oregon. A specialist in the women writers of the British Romantic era, Elizabeth’s research interests also extend to eighteenth- and nineteenth-century British literature, Romantic drama, and the Digital Humanities. She has presented papers on Mitford’s plays at the North American Society for the Study of Romanticism, the Wordsworth Summer Conference, and the British Women Writer’s Conference, and her article on Mitford’s play Rienzi appeared in European Romantic Reviewin 2011 . Other essays on Romantic women writers have appeared (or are forthcoming) in Women’s Studies and an edited collection on Mary Wollstonecraft. Elizabeth has also taught undergraduate students how to transcribe, code, and conduct research on a collection of Mitford’s letters stored at Reading Central Library. Melissa KlamerMelissa Klamer, Editor, Ph.D. English in progress, expected 2018.Michigan State University
Melissa Klamer earned a Ph.D. in English at Michigan State University, and served as a Research Assistant working with MATRIX: Center for the Digital Humanities and Social Sciences. Her research focuses on Victorian women’s life writing, particularly letters and diaries. .

Sponsored by:

Mary Russell Mitford Society: Digital Mitford Project

Penn State Erie, The Behrend College

Digital Mitford Letters: The Mary Russell Mitford Archive

Repository: The Reading Central Library. Shelf mark: qB/TU/MIT Vol. 4, Horizon No.: 1361550 ff. 469

Hands other than Mitford's noted on this manuscript:

Someone, apparently other than Mitford (perhaps cataloging the letters and describing them, or marking them up while creating an earlier edition of Mitford’s letters), left grey pencil marks and numbered her letters now in the Reading Central Library's collection. The date "April 26th 1823" is written in this hand on the top left of the last leaf of the letter.

Red crayon or thick red pencil. Probably a different hand from Mitford's that marks many of her letters, sometimes drawing diagonal lines across pages, and sometimes writing words overtop and perpendicularly across Mitford's writing. On this letter, a red diagonal line is drawn from the top left to the bottom right of pages 2, 3, and 4 of the manuscript. The red crayon also strikes out a single word on page 4 of this letter, 9 lines from the bottom on the left margin.

Someone, apparently other than MitfordMary Russell Mitford | Born: 1787-12-16 in New Alresford, Hampshire, England. Died: 1855-01-10 in Swallowfield, Berkshire, England.
Poet, playwright, writer of prose fiction sketches, Mary Russell Mitford is, of course, the subject of our archive. Mary Russell Mitford was born on December 16, 1787 at New Alresford, Hampshire, the only child of George Mitford (or Midford) and Mary Russell. She was baptized on February 29, 1788. Much of her writing was devoted to supporting herself and her parents. She received a civil list pension in 1837. Census records from 1841 indicate that she is living with her father George, three female servants: Kerenhappuch Taylor (Mary’s ladies maid), two maids of all work, Mary Bramley and Mary Allaway, and a manservant (probably serving also as gardener), Benjamin Embury. The 1851 census lists her occupation as authoress, and lists her as living at Three Mile Cross with Kerenhappuch Taylor (lady’s maid), Sarah Chernk (maid-of-all-work), and Samuel Swetman (gardener), after the death of her father. Mitford’s long life and prolific career ended after injuries from a carriage accident. She is buried in Swallowfield churchyard. The executor of her will and her literary executor was the Rev. William Harness and her lady’s maid, Kerenhappuch Taylor Sweetman, was residuary legatee of her estate. —lmw, ebb
, who occasionally left notes in a spidery thin hand to explain or document details in Mitford's letters in the margins of her pages, noted in the manuscripts held at Reading Central LibraryReading Central Library
The principal archive of Mary Russell Mitford’s personal papers and related documents, holding approximately 1,000 manuscripts and a nearly comprehensive collection of her printed publications.—ghb. This may be William HarnessWilliam Harness | Born: 1790-03-14 in Wickham, Hampshire, England. Died: 1869-11-11 in Battle, Sussex, England .
A lifelong friend of Mary Russell Mitford who knew her from their childhood in the 1790s, Harness launched the first major effort to collect and edit Mitford’s letters into a series of volumes, which was completed by his assistant, Alfred Guy Kingan L’Estrange a year after Harness’s death, and published as The Life of Mary Russell Mitford, Related in a Selection from her Letters to her Friends. This collection was originally intended to be six volumes, but was cut back to three by the publishers, to Harness’s distress. Harness and Byron were also friends from their schooling at Harrow, as Byron sympathized with Harness’s experience of a disabled foot, crushed in an accident in early childhood. Byron considered dedicating the first two cantos of Childe Harold’s Pilgrimage to Harness, but refrained so as not to taint Harness’s reputation as he was taking orders as an Anglican curate. Harness admired and encouraged Mitford’s playwrighting in particular, and she commented that he was one of the few of her friends who thought she should prioritize the drama over prose. When William Macready was attacked in an anonymous Blackwood’s Magazine piece in 1825 for his demands and rudeness to Mitford over revisions to Rienzi, Macready assumed that Harness was the author of the anonymous piece, though in 1839 after many years of distance, Harness assured Macready in person that he was not the writer, though he may have shared word of the poor treatment his friend had endured. William Harness was the son of John Harness, M.D. and Sarah Dredge; he was baptized at Whitchurch, Hampshire on April 13, 1790. He received his B.A. in 1812 and his M.A. in 1816 from Christ’s College, Cambridge. He served as curate at Kelmeston, Hampshire (1812) and Dorking (1814-1816). He was preacher at Trinity Chapel, Conduit Street, London and minister and lecturer at St. Anne’s in Soho. He was Boyle lecturer in London (1822) and was curate at Hampstead from 1828 to 1844. In 1825, he published an eight-volume edition of Shakespeare, including a biography; his friends would later endow a prize in his name at Cambridge for the study of Shakespearean literature. He also authored numerous essays and reviews, some for the Quarterly Review. From 1844 to 1847 he was minister of Brompton Chapel in London. He undertook to raise the funds to build the church of All Saints, Knightsbridge, in the parish of St. Margaret’s Westminster, which opened in 1849, and he then became perpetual curate of that congregation. At the 1851 and 1861 censuses, he lived at 3 Hyde Park Terrace, Westminster St. Margaret, Middlesex, with his sister Mary Harness and his first cousin Jemima Harness, daughter of his uncle William. He died while on a visit to one of his former curates in Battle, Sussex. At the time of his death he living at the same address at 3 Hyde Park Terrace; he is buried in Bath.Sources: Duncan-Jones, Miss Mitford and Mr. Harness (1955); Lord Byron and His Times: —ebb, lmw
or A. G. L'EstrangeAlfred Guy Kingan L’Estrange | Born: 1832. Died: 1915.
L’Estrange was a curate working for William Harness, and assisted him with the first edition of Mary Russell Mitford’s letters until Harness’s death, at which point L’Estrange took over the editing and produced the collection of letters as the three-volume The Life of Mary Russell Mitford under his own name. [Sources: Frances Needham’s notes on Mitford’s papers and the Harness/L’Estrange edition. VIAF ] —ebb. This annotator indicates the recipient as "Sir W. Elford" on the first page and has left a note at the bottom of page 3 that continues up the right margin. The note documents information about the proceeds Mitford received from Covent Garden TheatreTheatre Royal, Covent Garden, London, England | Covent Garden Theatre | Covent Garden | Westminster | London | England | 51.5129211 -0.12219759999993585 A West End theater located in Covent Garden in the London borough of Westminster. One of the royal patent theaters. The first theater on this site was opened in 1732 by John Rich, renovated by architect Henry Holland in 1792, and destroyed by fire on 20 Sept. 1808. The second theater, designed by Robert Smirke, opened on 18 Sept. 1809 and was managed by John Phillip Kemble. Because of rent increases by the Duke of Bedford, the landowner, J.P. Kemble increased ticket prices. This led to the old price (or O.P.) riots and the eventual lowering of ticket prices, although the proprietors proved they would lose money at those prices. The second theater was destroyed by fire on 5 March 1856. The third theater, designed by Edward Middleton Barry, opened in 1858 and remains at the center of today’s theater complex. The theater became the Royal Opera House in 1892 and the building was renovated and expanded in the 1980s and 1990s. —lmw for her play, Julian.

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Maintained by: Elisa E. Beshero-Bondar (eeb4 at psu.edu)

Last modified: 2024-04-26T18:41:58.283315Z

I am but just returned from Town, whither I have been led by one of the evil consequences of dramatic Authorship—that is to say a false report—& lose not a moment in writing to you to thank you for your Zealous kindness, & to say how heartily we sympathisesympathize in all your feelings.—I have no time to tell you the story of the strange mistake which led me to LondonLondon, England | London | England | 51.5073509 -0.12775829999998223 Capital city of England and the United Kingdom; one the oldest cities in Western Europe. Major seaport and global trading center at the mouth of the Thames. From 1831 to 1925, the largest city in the world.—lmw—no heart to talk to you of plays & theatres—for my very soul is sick of them all—they mean to be kind I believe all of them—but between the lies & the quarrels & thepage 2
envy that attends [suc[gap: 1 chars, reason: inkblot.]cess] I have fairly wished a thousand times that the Play had failed. Do not tell this—But really my soul sickens within me when I think of the turmoil & tumult which I have undergone—& am to undergo—for Charles KembleCharles Kemble | Born: 1775-11-25 in Brecon, South Wales. Died: 1854-11-12 in England.
British actor, the younger brother of John Phillip Kemble and Sarah Siddons. Although he was considered by some to be as fine an actor as his sister and brother, he mostly appeared in secondary rather than leading roles. Father of Frances Kemble. One of the co-proprietors of Covent Garden Theatre . He served as Examiner of Plays in the early nineteenth-century, reviewing plays for licensing by the Lord Chamberlain.—lmw
will not suffer me to withdraw my Tragedy of the FoscariFoscari: A Tragedy. Mary Russell Mitford. London : G. B. Whittaker . 1826. , & threatens me with a lawsuit if I do. In the meantime I am tossed about between him & MacreadyWilliam Charles Macready | Born: 1793-03-03 in London, England. Died: 1873-04-27 in Cheltenham, Gloucestershire, England.
English actor, one of the most prominent tragedians of his era. He appeared at Covent Garden and Drury Lane Theatres in London and also toured the United States. He appeared in Sheridan Knowles's William Tell, Byron's Sardanapolus, and Bulwer-Lytton's Money (1840), as well as in many Shakespearean roles. He also managed both Covent Garden and Drury Lane Theatres. In his role as actor-manager, Macready was a correspondent and collaborator with Mary Russell Mitford. The first play on which they worked was Mitford's Julian. Mitford dedicated to Macready the print edition of Julian: To William Charles Macready, Esq., with high esteem for those endowments which have cast new lustre on his art; with warm admiration for those powers which have inspired, and that taste which has fostered the tragic dramatists of his age; with heartfelt gratitude for the zeal with which he befriended the production of a stranger, for the judicious alterations which he suggested, and for the energy, the pathos, and the skill with which he more than emhodied its principal character; this tragedy is most respectfully dedicated by the author. Macready retired from the stage in 1851. —lmw
like a cricket ball—affronting both parties, & suspected by both because I will not come to a deadly rupture with either. Only imagine what a state this is for one who values peace & quietness beyond every other blessing of life!—In the meantime they have stoptstopped JulianJulian; a Tragedy in Five Acts. Mary Russell Mitford. London New York: G. B. Whittaker W. B. Gilley . 1823. the Play at the end of the eighth night though it was page 3
going brilliantly to brilliant houses—& [1] Miss Mitford received £ 200 for Julian from Covent Garden £ 100 cash on the 9 of May & £ 100 by bill payable on the 12 of October—penAnnot_RCL (but this is quite between ourselves) not paid me for the third & sixth nights—To be sure I have Charles KembleCharles Kemble | Born: 1775-11-25 in Brecon, South Wales. Died: 1854-11-12 in England.
British actor, the younger brother of John Phillip Kemble and Sarah Siddons. Although he was considered by some to be as fine an actor as his sister and brother, he mostly appeared in secondary rather than leading roles. Father of Frances Kemble. One of the co-proprietors of Covent Garden Theatre . He served as Examiner of Plays in the early nineteenth-century, reviewing plays for licensing by the Lord Chamberlain.—lmw
's personal word—& I believe him to be an honest man—but to undergo all this misery & not get my money would be terrible indeed! To crown all, Mr. HamiltonSamuel Hamilton, or:
Publisher and editor of the Lady’s Magazine. He took over the publishing business of his father and grandfather, both named Archibald, alongside his brother, also named Archibald. He first appeared as the printer of the magazine in August 1799. Mitford had contributed articles to the magazine, for which Hamilton may have neglected to pay her the total amount due, sometime in 1823.—bas
of our Magazine has absconded above forty pounds in my debt—Oh who[del: .] would be an Authoress!—The only comfort is that the Magazine can't go on without me, & that the very fuss they make ^in quarrelling over[del: .] me at the Theatre proves my importance there—& so that if I survive these vexations, I may in time make something of my poor poor brains.—but I would rather serve in a shop—rather [scrub] scrub floors—rather nursepage 4
children than undergo these tremendous & interminable disputes & this unwomanly publicity.—

It is very strange that I was about to request you to enclose your letter to Mr. MonckJohn Berkeley Monck
Member of Parliament for Reading area 1820-1830, who frequently franked Mary Russell Mitford’s letters. Mitford’s letter to Sir William Elford of 20 March 1820 about the election of Monck describes him in context with a politically active Patriot shoemaker, Mr. Warry, who brought him from France. Monck was the author of General Reflections on the System of the Poor Laws (1807), in which he argued for a gradual approach to abolishing the Poor Laws, and for the reform of workhouses. Francis Needham claims that it is he who is referred to in Violeting, when the narrator thinks she sees Mr. and Mrs. M. and dear B.. (Dear B. would be their son, Bligh.) Dr. Webb’s research suggests that celebrated shoemaker is Mr. Warry, possibly Joseph Source: Francis Needham, Letter to William Roberts, 26 March 1954. Needham Papers, Reading Central Library.—lmw, ebb, scw who is so Kind as to give me a general permission his address is—J. B. MonckJohn Berkeley Monck
Member of Parliament for Reading area 1820-1830, who frequently franked Mary Russell Mitford’s letters. Mitford’s letter to Sir William Elford of 20 March 1820 about the election of Monck describes him in context with a politically active Patriot shoemaker, Mr. Warry, who brought him from France. Monck was the author of General Reflections on the System of the Poor Laws (1807), in which he argued for a gradual approach to abolishing the Poor Laws, and for the reform of workhouses. Francis Needham claims that it is he who is referred to in Violeting, when the narrator thinks she sees Mr. and Mrs. M. and dear B.. (Dear B. would be their son, Bligh.) Dr. Webb’s research suggests that celebrated shoemaker is Mr. Warry, possibly Joseph Source: Francis Needham, Letter to William Roberts, 26 March 1954. Needham Papers, Reading Central Library.—lmw, ebb, scw Esqre M. P.
Coley Park
Reading.