Digital Mitford: Letter View

Letter to B.R. HaydonBenjamin Robert Haydon | Born: 1786-01-26 in Plymouth, England. Died: 1846-06-22 in London.
Benjamin Robert Haydon was a painter educated at the Royal Academy, who was famous for contemporary, historical, classical, biblical, and mythological scenes, though tormented by financial difficulties and incarceration. He painted William Wordsworth's portrait in 1842 and painted a cameo of Keats in his epic canvas Christ's Entry into Jerusalem(1814-20). MRM was introduced to him at his London studio in the spring of 1817, and Sir William Elford was a mutual friend, and Haydon’s own acquaintances included several prominent British Romantic literary figures. He completed The Raising of Lazarus in 1823 . He wrote a diary and an autobiography, both of which were published only posthumously, and he committed suicide in 1846. George Paston's Little Memoirs of the Nineteenth Century (1893) contends that Mitford was asked to edit Haydon's memoir, but declined.—rnes, ebb, 1823 March 25

Edited by Elizabeth RaisanenElizabeth Raisanen, Ph.D., Drama, Founding Editor, University of Oregon
Elizabeth Raisanen is the Assistant Dean of Advising & Strategic Partnerships and an Instructor of Literature in the Robert D. Clark Honors College at the University of Oregon. A specialist in the women writers of the British Romantic era, Elizabeth’s research interests also extend to eighteenth- and nineteenth-century British literature, Romantic drama, and the Digital Humanities. She has presented papers on Mitford’s plays at the North American Society for the Study of Romanticism, the Wordsworth Summer Conference, and the British Women Writer’s Conference, and her article on Mitford’s play Rienzi appeared in European Romantic Reviewin 2011 . Other essays on Romantic women writers have appeared (or are forthcoming) in Women’s Studies and an edited collection on Mary Wollstonecraft. Elizabeth has also taught undergraduate students how to transcribe, code, and conduct research on a collection of Mitford’s letters stored at Reading Central Library. Brooke A. StewartBrooke Ann Stewart, Consultant, Green Scholar, B.A. in English Literature, 2018 University of Pittsburgh at Greensburg
Brooke A. Stewart transcribed, researched, encoded, and proofed the Mitford letters of the year 1823. She worked on the Digital Mitford project as a student at the University of Pittsburgh at Greensburg, where she pursued a bachelor’s degree in English Literature and a Digital Studies Certificate. Brooke is also on the editing team of another digital archive, Emily Dickinson , which looks closely at Dickinson’s original poem manuscripts and how significantly they differ from their published versions. Brooke is a member of the honor societies Phi Eta Sigma and Sigma Tau Delta, and an active participant in Habitat for Humanity. .

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Mary Russell Mitford Society: Digital Mitford Project

Penn State Erie, The Behrend College

Digital Mitford Letters: The Mary Russell Mitford Archive

Repository: The Reading Central Library. Shelf mark: qB/TU/MIT Vol. 4 Horizon No.: 1361550 ff. 466

26*MR

1823

Hands other than Mitford's noted on this manuscript:

Someone, apparently other than Mitford (perhaps cataloging the letters and describing them, or marking them up while creating an earlier edition of Mitford's letters), left grey pencil marks and numbered her letters now in the Reading Central Library's collection. This letter is numbered "4" in the top left of the first leaf, underneath the opening line, "B. R. Haydon E" The same pencil marks "20 March 1823" near "4".

Red crayon or thick red pencil. Probably a different hand from Mitford's that marks many of her letters, sometimes drawing diagonal lines across pages, and sometimes writing words overtop and perpendicularly across Mitford's writing. On this letter, a red diagonal line is drawn from the top left to the bottom right of pages 1, 2 and 3 of the manuscript.

Someone, apparently other than MitfordMary Russell Mitford | Born: 1787-12-16 in New Alresford, Hampshire, England. Died: 1855-01-10 in Swallowfield, Berkshire, England.
Poet, playwright, writer of prose fiction sketches, Mary Russell Mitford is, of course, the subject of our archive. Mary Russell Mitford was born on December 16, 1787 at New Alresford, Hampshire, the only child of George Mitford (or Midford) and Mary Russell. She was baptized on February 29, 1788. Much of her writing was devoted to supporting herself and her parents. She received a civil list pension in 1837. Census records from 1841 indicate that she is living with her father George, three female servants: Kerenhappuch Taylor (Mary’s ladies maid), two maids of all work, Mary Bramley and Mary Allaway, and a manservant (probably serving also as gardener), Benjamin Embury. The 1851 census lists her occupation as authoress, and lists her as living at Three Mile Cross with Kerenhappuch Taylor (lady’s maid), Sarah Chernk (maid-of-all-work), and Samuel Swetman (gardener), after the death of her father. Mitford’s long life and prolific career ended after injuries from a carriage accident. She is buried in Swallowfield churchyard. The executor of her will and her literary executor was the Rev. William Harness and her lady’s maid, Kerenhappuch Taylor Sweetman, was residuary legatee of her estate. —lmw, ebb
, who occasionally left notes in a spidery thin hand to explain or document details in Mitford's letters in the margins of her pages, noted in the manuscripts held at Reading Central LibraryReading Central Library
The principal archive of Mary Russell Mitford’s personal papers and related documents, holding approximately 1,000 manuscripts and a nearly comprehensive collection of her printed publications.—ghb. This may be William HarnessWilliam Harness | Born: 1790-03-14 in Wickham, Hampshire, England. Died: 1869-11-11 in Battle, Sussex, England .
A lifelong friend of Mary Russell Mitford who knew her from their childhood in the 1790s, Harness launched the first major effort to collect and edit Mitford’s letters into a series of volumes, which was completed by his assistant, Alfred Guy Kingan L’Estrange a year after Harness’s death, and published as The Life of Mary Russell Mitford, Related in a Selection from her Letters to her Friends. This collection was originally intended to be six volumes, but was cut back to three by the publishers, to Harness’s distress. Harness and Byron were also friends from their schooling at Harrow, as Byron sympathized with Harness’s experience of a disabled foot, crushed in an accident in early childhood. Byron considered dedicating the first two cantos of Childe Harold’s Pilgrimage to Harness, but refrained so as not to taint Harness’s reputation as he was taking orders as an Anglican curate. Harness admired and encouraged Mitford’s playwrighting in particular, and she commented that he was one of the few of her friends who thought she should prioritize the drama over prose. When William Macready was attacked in an anonymous Blackwood’s Magazine piece in 1825 for his demands and rudeness to Mitford over revisions to Rienzi, Macready assumed that Harness was the author of the anonymous piece, though in 1839 after many years of distance, Harness assured Macready in person that he was not the writer, though he may have shared word of the poor treatment his friend had endured. William Harness was the son of John Harness, M.D. and Sarah Dredge; he was baptized at Whitchurch, Hampshire on April 13, 1790. He received his B.A. in 1812 and his M.A. in 1816 from Christ’s College, Cambridge. He served as curate at Kelmeston, Hampshire (1812) and Dorking (1814-1816). He was preacher at Trinity Chapel, Conduit Street, London and minister and lecturer at St. Anne’s in Soho. He was Boyle lecturer in London (1822) and was curate at Hampstead from 1828 to 1844. In 1825, he published an eight-volume edition of Shakespeare, including a biography; his friends would later endow a prize in his name at Cambridge for the study of Shakespearean literature. He also authored numerous essays and reviews, some for the Quarterly Review. From 1844 to 1847 he was minister of Brompton Chapel in London. He undertook to raise the funds to build the church of All Saints, Knightsbridge, in the parish of St. Margaret’s Westminster, which opened in 1849, and he then became perpetual curate of that congregation. At the 1851 and 1861 censuses, he lived at 3 Hyde Park Terrace, Westminster St. Margaret, Middlesex, with his sister Mary Harness and his first cousin Jemima Harness, daughter of his uncle William. He died while on a visit to one of his former curates in Battle, Sussex. At the time of his death he living at the same address at 3 Hyde Park Terrace; he is buried in Bath.Sources: Duncan-Jones, Miss Mitford and Mr. Harness (1955); Lord Byron and His Times: —ebb, lmw
or A. G. L'EstrangeAlfred Guy Kingan L’Estrange | Born: 1832. Died: 1915.
L’Estrange was a curate working for William Harness, and assisted him with the first edition of Mary Russell Mitford’s letters until Harness’s death, at which point L’Estrange took over the editing and produced the collection of letters as the three-volume The Life of Mary Russell Mitford under his own name. [Sources: Frances Needham’s notes on Mitford’s papers and the Harness/L’Estrange edition. VIAF ] —ebb. On this letter, the name "B. R. Haydon E" is written on the top left of the first page.

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Did I tell you that I had had an application from Mr. EllistonRobert William Elliston, or: Mr. Elliston | Born: 1774 in London, England. Died: 1831.
English actor and theater manager. Managed Drury Lane and and other theaters. Mentioned in the writings of Leigh Hunt, Byron, and Macready. —lmw for FoscariFoscari: A Tragedy. London : G. B. Whittaker . 1826. ? which under Mr. MacreadyWilliam Charles Macready | Born: 1793-03-03 in London, England. Died: 1873-04-27 in Cheltenham, Gloucestershire, England.
English actor, one of the most prominent tragedians of his era. He appeared at Covent Garden and Drury Lane Theatres in London and also toured the United States. He appeared in Sheridan Knowles's William Tell, Byron's Sardanapolus, and Bulwer-Lytton's Money (1840), as well as in many Shakespearean roles. He also managed both Covent Garden and Drury Lane Theatres. In his role as actor-manager, Macready was a correspondent and collaborator with Mary Russell Mitford. The first play on which they worked was Mitford's Julian. Mitford dedicated to Macready the print edition of Julian: To William Charles Macready, Esq., with high esteem for those endowments which have cast new lustre on his art; with warm admiration for those powers which have inspired, and that taste which has fostered the tragic dramatists of his age; with heartfelt gratitude for the zeal with which he befriended the production of a stranger, for the judicious alterations which he suggested, and for the energy, the pathos, and the skill with which he more than emhodied its principal character; this tragedy is most respectfully dedicated by the author. Macready retired from the stage in 1851. —lmw
's advice I declined. But the application was flattering—& I trust that under all the disadvantage of the execrable acting a great impression has been made by JulianJulian; a Tragedy in Five Acts. London New York: G. B. Whittaker W. B. Gilley . 1823. —to have withstood such acting for four nights is something—Is it not?—& if we go on in the Easter week I shall page 2
have hopes—& if we do not I shall not despond—for much has been done of that I am confident. The article in the John BullJohn Bull. London :
English periodical founded in 1820 and published between 1820 and 1825 and in a second series between 1833 and 1892.—err was what I expected—but that in The ExaminerThe Examiner, A Sunday paper, on politics, domestic economy, and theatricals. 1808-1886.
Weekly periodical launched by editor Leigh Hunt and his brother, the printer John Hunt. Mitford’s correspondence demonstrates that her household subscribed or regularly had access to The Examiner and The London Magazine.—ebb was worse in my mind—Could not you do any thing to procure a short & more favorable notice against next Sunday? I ask you just as I would ask a brother—I wish with all my heart that any one would write an exposure of that slang of criticism "Melodramatic"—I am sure, as Mr. MacreadyWilliam Charles Macready | Born: 1793-03-03 in London, England. Died: 1873-04-27 in Cheltenham, Gloucestershire, England.
English actor, one of the most prominent tragedians of his era. He appeared at Covent Garden and Drury Lane Theatres in London and also toured the United States. He appeared in Sheridan Knowles's William Tell, Byron's Sardanapolus, and Bulwer-Lytton's Money (1840), as well as in many Shakespearean roles. He also managed both Covent Garden and Drury Lane Theatres. In his role as actor-manager, Macready was a correspondent and collaborator with Mary Russell Mitford. The first play on which they worked was Mitford's Julian. Mitford dedicated to Macready the print edition of Julian: To William Charles Macready, Esq., with high esteem for those endowments which have cast new lustre on his art; with warm admiration for those powers which have inspired, and that taste which has fostered the tragic dramatists of his age; with heartfelt gratitude for the zeal with which he befriended the production of a stranger, for the judicious alterations which he suggested, and for the energy, the pathos, and the skill with which he more than emhodied its principal character; this tragedy is most respectfully dedicated by the author. Macready retired from the stage in 1851. —lmw
says, that if any one of the Greek Dramas or ^ even ShakespeareWilliam Shakespeare | Born: 1564-04 in Stratford upon Avon, Warwickshire, England. Died: 1616-04-23 in Stratford upon Avon, Warwickshire, England.
Early modern era actor, theater manager, poet, and playwright. Part owner of playing company The Lord Chamberlain's men and author or co-author of thirty-eight plays. Considered the greatest English dramatist and Britain's national poet. Mitford wrote in the Introduction to her Dramatic Works: I had grown up—it is the privilege of English people to grow up—in the worship of Shakespeare, and many of his favourite scenes I literally knew by heart. —lmw
's stronger plays, or any thing that is effective were to be produced now, it would be assailed by that word.—By the way Mr. MacreadyWilliam Charles Macready | Born: 1793-03-03 in London, England. Died: 1873-04-27 in Cheltenham, Gloucestershire, England.
English actor, one of the most prominent tragedians of his era. He appeared at Covent Garden and Drury Lane Theatres in London and also toured the United States. He appeared in Sheridan Knowles's William Tell, Byron's Sardanapolus, and Bulwer-Lytton's Money (1840), as well as in many Shakespearean roles. He also managed both Covent Garden and Drury Lane Theatres. In his role as actor-manager, Macready was a correspondent and collaborator with Mary Russell Mitford. The first play on which they worked was Mitford's Julian. Mitford dedicated to Macready the print edition of Julian: To William Charles Macready, Esq., with high esteem for those endowments which have cast new lustre on his art; with warm admiration for those powers which have inspired, and that taste which has fostered the tragic dramatists of his age; with heartfelt gratitude for the zeal with which he befriended the production of a stranger, for the judicious alterations which he suggested, and for the energy, the pathos, and the skill with which he more than emhodied its principal character; this tragedy is most respectfully dedicated by the author. Macready retired from the stage in 1851. —lmw
and his Sister have page 3
been kind to me beyond all k[gap: 3 chars, reason: torn.][ind]ness. They are delightful people.

Kind regards from PapaGeorge Mitford, Esq., or: George Midford | Born: . Died: .
Father of Mary Rusell Mitford, George Mitford was the son of Francis Midford, surgeon, and Jane Graham. The family name is sometimes recorded as Midford. Immediate family called him by nicknames including Drum, Tod, and Dodo. He was a member of a minor branch of the Mitfords of Mitford Castle in Northumberland. Although later sources would suggest that he was a graduate of the University of Edinburgh medical school, there is no evidence that he obtained a medical degree and he did not generally refer to himself as Dr. Mitford, preferring to style himself Esq.. In 1784, he is listed in a Hampshire directory as surgeon (medicine) of Alresford. His father and grandfather worked as apothecary-surgeons and it seems likely that he served a medical apprenticeship with family members.
He married Mary Russell on October 17, 1785 at New Alresford, Hampshire. On the marriage allegation papers, both gave their addresses as Old Alresford; they later came to live at Broad Street in New Alresford. Their only child to live to adulthood, Mary Russell Mitford, was born two years later on December 16, 1787 at New Alresford, Hampshire. He assisted Mitford's literary career by representing her interests in London and elsewhere with theater owners and publishers. He was active in Whig politics and later served as a local magistrate. He coursed greyhounds with his friend James Webb.
—lmw & MamaMary Russell Mitford, or: Mrs. Mitford | Born: 1750 in Ashe, Hampshire, England. Died: 1830-01-02 in Three Mile Cross, parish of Shinfield, Berkshire, England.
Mary Russell was the youngest child of the Rev. Dr. Richard Russell and his second wife, Mary Dicker; she was born about 1750 in Ashe, Hampshire. (Her birth date is as yet unverified; period sources indicate that she was ten years older than her husband George, born in 1760.) Through the Russells, she was a distant relation of the Dukes of Bedford (sixth creation, 1694). She had two siblings, Charles William and Frances; both predeceased her and their parents, which resulted in Mary Russell inheriting her family’s entire estate upon her mother’s death in 1785. Her father’s rectory in Ashe was only a short distance from Steventon, and so she was acquainted with the young Jane Austen. She married George Mitford or Midford on October 17, 1785 at New Alresford, Hampshire. On the marriage allegation papers, both gave their addresses as Old Alresford. Their only daughter, Mary Russell Mitford, was born two years later on December 16, 1787 at New Alresford, Hampshire. Mary Russell died on January 2, 1830 at Three Mile Cross in the parish of Shinfield, Berkshire. Her obituary in the 1830 New Monthly Magazine gives New Year’s day as the date of her death.—ajc, lmw
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