I avail myself of the return of our friend Mr. TalfourdThomas Noon Talfourd | Born: 1795-05-26 in Reading, Berkshire, England. Died: 1854-03-13 in Stafford, Staffordshire, England.
Close friend, literary mentor, and frequent correspondent of Mary Russell Mitford. A native of Reading, Talfourd was educated at the Reading’s newly-established Mill Hill school, a dissenting academy, from 1808 to 1810. He attended Dr. Richard Valpy’s Reading School from 1810 to 1812. His career in law began with a legal apprenticeship with Joseph Christy, special pleader, in 1817. He was called to the bar in London in 1821 and ultimately earned a D.C.L. (Doctor of Civil Laws) from Oxford on June 20, 1844. While establishing his practice as a barrister and special pleader, he worked as legal correspondent for The Times, reporting on the Oxford Circuit, and also continued his literary interests. After 1833, he was appointed Serjeant at Law, as well as a King’s and Queen’s Counsel. He was elected and served as Member of Parliament for Reading from 1835 to 1841 and from 1847 to 1849 ; he served with Charles Fyshe Palmer, Charles Russell, and Francis Piggott. Highlights of his political and legal career included introducing the first copyright bill into Parliament in 1837 (for which action Charles Dickens dedicated Pickwick Papers to him) and defending Edward Moxon’s publication of Percy Shelley’s Queen Mab in 1841 . He was appointed Queen’s Serjeant in 1846 and Judge of Common Pleas in 1849 , at which post he served until his death in 1854. He was knighted in 1850 .
Talfourd’s literary works include his plays Ion (1835), The Athenian Captive (1837) and Glencoe, or the Fate of the MacDonalds(1839).
—lmw, cmm, ebb
to send you another Article for the Magazine[2] The Lady's Magazine—penAnnot_RCL—I have one ^half written, which you shall have by the middle of next week at latest—much sooner if I can find an opportunity—[gap: 1 chars, reason: torn.][o]n the subject of the "Mayings" which the Country people hold in the North of HampshireHampshire, England | Hampshire England | 51.05769480000001 -1.3080628999999817 County on the southern coast of England, known historically as the County of Southampton. The county town is Winchester. Abbreviated Hants. —lmw—I mention this to you because perhaps on account of the subject you might like to keep room for it this Month—It will be rather longer than the enclosed but not much.

I find that my FatherGeorge Mitford, Esq., or: George Midford | Born: . Died: .
Father of Mary Rusell Mitford, George Mitford was the son of Francis Midford, surgeon, and Jane Graham. The family name is sometimes recorded as Midford. Immediate family called him by nicknames including Drum, Tod, and Dodo. He was a member of a minor branch of the Mitfords of Mitford Castle in Northumberland. Although later sources would suggest that he was a graduate of the University of Edinburgh medical school, there is no evidence that he obtained a medical degree and he did not generally refer to himself as Dr. Mitford, preferring to style himself Esq.. In 1784, he is listed in a Hampshire directory as surgeon (medicine) of Alresford. His father and grandfather worked as apothecary-surgeons and it seems likely that he served a medical apprenticeship with family members.
He married Mary Russell on October 17, 1785 at New Alresford, Hampshire. On the marriage allegation papers, both gave their addresses as Old Alresford; they later came to live at Broad Street in New Alresford. Their only child to live to adulthood, Mary Russell Mitford, was born two years later on December 16, 1787 at New Alresford, Hampshire. He assisted Mitford's literary career by representing her interests in London and elsewhere with theater owners and publishers. He was active in Whig politics and later served as a local magistrate. He coursed greyhounds with his friend James Webb.
—lmw explained to you the mistake respecting FoscariFoscari: A Tragedy. London : G. B. Whittaker . 1826. —Be assured that it was not intentional—I don't at all know what will be the event of that play—but as you say [gap: 1 word, reason: torn.][there] is no hurry. I should at all events wish [gap: 1 word, reason: torn.][to] keep open [gap: 3 chars, reason: torn.][com]munication with Mr. EllistonRobert William Elliston, or: Mr. Elliston | Born: 1774 in London, England. Died: 1831.
English actor and theater manager. Managed Drury Lane and and other theaters. Mentioned in the writings of Leigh Hunt, Byron, and Macready. —lmw, if not for [gap: 1 word, reason: torn.][3] Here a tear in the paper obliterates the rest of the line. There is no evidence of what is missing from the end of the line. Here, "for" appears twice; this is how it appears in the letter, and is not a typo. This may be due to the gap at the end of the line where a word may be missing. The missing words could possibly be "that, then" or "it, then", given the context.—ga, bas for other tragedies—if ever I get courage enough to write more for really I have been so attacked as a woman (I do not mind fair criticism—or any criticism on the work) the AuthorMary Russell Mitford | Born: 1787-12-16 in New Alresford, Hampshire, England. Died: 1855-01-10 in Swallowfield, Berkshire, England.
Poet, playwright, writer of prose fiction sketches, Mary Russell Mitford is, of course, the subject of our archive. Mary Russell Mitford was born on December 16, 1787 at New Alresford, Hampshire, the only child of George Mitford (or Midford) and Mary Russell. She was baptized on February 29, 1788. Much of her writing was devoted to supporting herself and her parents. She received a civil list pension in 1837. Census records from 1841 indicate that she is living with her father George, three female servants: Kerenhappuch Taylor (Mary’s ladies maid), two maids of all work, Mary Bramley and Mary Allaway, and a manservant (probably serving also as gardener), Benjamin Embury. The 1851 census lists her occupation as authoress, and lists her as living at Three Mile Cross with Kerenhappuch Taylor (lady’s maid), Sarah Chernk (maid-of-all-work), and Samuel Swetman (gardener), after the death of her father. Mitford’s long life and prolific career ended after injuries from a carriage accident. She is buried in Swallowfield churchyard. The executor of her will and her literary executor was the Rev. William Harness and her lady’s maid, Kerenhappuch Taylor Sweetman, was residuary legatee of her estate. —lmw, ebb
has been so mixed up with her production, that it is like going into a field of battle to produce a successful play. This must account for & excuse to you the feelings of very unusual irritation under which you saw me—Do not judge of me by the temper I shewedshowed then—for really I am a very peaceful quiet person except when so terribly excited—& at present the nervousness having subsided I feel nothing but thankfulness—a deep & abiding thankfulness to all concerned in JulianJulian; a Tragedy in Five Acts. London New York: G. B. Whittaker W. B. Gilley . 1823. —& am very far indeed from entering into any Cabal against the Manager—As far as Mr. MacreadyWilliam Charles Macready | Born: 1793-03-03 in London, England. Died: 1873-04-27 in Cheltenham, Gloucestershire, England.
English actor, one of the most prominent tragedians of his era. He appeared at Covent Garden and Drury Lane Theatres in London and also toured the United States. He appeared in Sheridan Knowles's William Tell, Byron's Sardanapolus, and Bulwer-Lytton's Money (1840), as well as in many Shakespearean roles. He also managed both Covent Garden and Drury Lane Theatres. In his role as actor-manager, Macready was a correspondent and collaborator with Mary Russell Mitford. The first play on which they worked was Mitford's Julian. Mitford dedicated to Macready the print edition of Julian: To William Charles Macready, Esq., with high esteem for those endowments which have cast new lustre on his art; with warm admiration for those powers which have inspired, and that taste which has fostered the tragic dramatists of his age; with heartfelt gratitude for the zeal with which he befriended the production of a stranger, for the judicious alterations which he suggested, and for the energy, the pathos, and the skill with which he more than emhodied its principal character; this tragedy is most respectfully dedicated by the author. Macready retired from the stage in 1851. —lmw
would be from wishing to engaging me in one.—At present The FoscariFoscari: A Tragedy. London : G. B. Whittaker . 1826. will remain in the Theatre—perhaps they may return it—but if not it does not seem right to Mr. TalfourdThomas Noon Talfourd | Born: 1795-05-26 in Reading, Berkshire, England. Died: 1854-03-13 in Stafford, Staffordshire, England.
Close friend, literary mentor, and frequent correspondent of Mary Russell Mitford. A native of Reading, Talfourd was educated at the Reading’s newly-established Mill Hill school, a dissenting academy, from 1808 to 1810. He attended Dr. Richard Valpy’s Reading School from 1810 to 1812. His career in law began with a legal apprenticeship with Joseph Christy, special pleader, in 1817. He was called to the bar in London in 1821 and ultimately earned a D.C.L. (Doctor of Civil Laws) from Oxford on June 20, 1844. While establishing his practice as a barrister and special pleader, he worked as legal correspondent for The Times, reporting on the Oxford Circuit, and also continued his literary interests. After 1833, he was appointed Serjeant at Law, as well as a King’s and Queen’s Counsel. He was elected and served as Member of Parliament for Reading from 1835 to 1841 and from 1847 to 1849 ; he served with Charles Fyshe Palmer, Charles Russell, and Francis Piggott. Highlights of his political and legal career included introducing the first copyright bill into Parliament in 1837 (for which action Charles Dickens dedicated Pickwick Papers to him) and defending Edward Moxon’s publication of Percy Shelley’s Queen Mab in 1841 . He was appointed Queen’s Serjeant in 1846 and Judge of Common Pleas in 1849 , at which post he served until his death in 1854. He was knighted in 1850 .
Talfourd’s literary works include his plays Ion (1835), The Athenian Captive (1837) and Glencoe, or the Fate of the MacDonalds(1839).
—lmw, cmm, ebb
or to me to withdraw it at present.page 2
The last No. of the Magazine is very good indeed—I have shewnshown it to several persons in this neighborhood as well as distributed the extra copies & have great hopes that it will be taken in by several families—I mean of course our Magazine.—Can you at all tell who wrote the Article on JulianJulian; a Tragedy in Five Acts. London New York: G. B. Whittaker W. B. Gilley . 1823. in the LondonThe London Magazine. 1820-1829.
An 18th-century periodical of this title (The London Magazine, or Gentleman’s Monthly Intelligencer) ran from 1732 to 1785 . In 1820, John Scott launched a new series of The London Magazine emulating the style of Blackwood’s Magazine, though the two magazines soon came into heated contention. This series ran until 1829, and this is the series to which Mitford and her correspondents frequently refer in their letters. Scott’s editorship lasted until his death by duel on 27 February 1821 resulting form bitter personal conflict with the editors of Blackwood’s Magazine connected with their insulting characterization of a London Cockney School. After Scott’s death, William Hazlitt took up editing the magazine with the April 1821 issue.—ebb, lmw? [4] Mitford is probably referring to the review of Julian in The London Magazine published in April 1823. The review praised the clarity of the characters and dialogue, but condemned the plot and acting. Overall, the review held more respect for Mitford's written publication than the stage performance of the play.—basI exceedingly wish to know—you know I suppose that my reason for wishing FoscariFoscari: A Tragedy. London : G. B. Whittaker . 1826. out of Covent GardenTheatre Royal, Covent Garden, London, England | Covent Garden Theatre | Covent Garden | Westminster | London | England | 51.5129211 -0.12219759999993585 A West End theater located in Covent Garden in the London borough of Westminster. One of the royal patent theaters. The first theater on this site was opened in 1732 by John Rich, renovated by architect Henry Holland in 1792, and destroyed by fire on 20 Sept. 1808. The second theater, designed by Robert Smirke, opened on 18 Sept. 1809 and was managed by John Phillip Kemble. Because of rent increases by the Duke of Bedford, the landowner, J.P. Kemble increased ticket prices. This led to the old price (or O.P.) riots and the eventual lowering of ticket prices, although the proprietors proved they would lose money at those prices. The second theater was destroyed by fire on 5 March 1856. The third theater, designed by Edward Middleton Barry, opened in 1858 and remains at the center of today’s theater complex. The theater became the Royal Opera House in 1892 and the building was renovated and expanded in the 1980s and 1990s. —lmw is that Mr. MacreadyWilliam Charles Macready | Born: 1793-03-03 in London, England. Died: 1873-04-27 in Cheltenham, Gloucestershire, England.
English actor, one of the most prominent tragedians of his era. He appeared at Covent Garden and Drury Lane Theatres in London and also toured the United States. He appeared in Sheridan Knowles's William Tell, Byron's Sardanapolus, and Bulwer-Lytton's Money (1840), as well as in many Shakespearean roles. He also managed both Covent Garden and Drury Lane Theatres. In his role as actor-manager, Macready was a correspondent and collaborator with Mary Russell Mitford. The first play on which they worked was Mitford's Julian. Mitford dedicated to Macready the print edition of Julian: To William Charles Macready, Esq., with high esteem for those endowments which have cast new lustre on his art; with warm admiration for those powers which have inspired, and that taste which has fostered the tragic dramatists of his age; with heartfelt gratitude for the zeal with which he befriended the production of a stranger, for the judicious alterations which he suggested, and for the energy, the pathos, and the skill with which he more than emhodied its principal character; this tragedy is most respectfully dedicated by the author. Macready retired from the stage in 1851. —lmw
(to whom I am under so great obligations) may not be called upon to play the DogeDoge Foscari
character in Mitford’s play Foscari See also historical counterpart: Doge Foscari.—ebb—Mr. KembleCharles Kemble | Born: 1775-11-25 in Brecon, South Wales. Died: 1854-11-12 in England.
British actor, the younger brother of John Phillip Kemble and Sarah Siddons. Although he was considered by some to be as fine an actor as his sister and brother, he mostly appeared in secondary rather than leading roles. Father of Frances Kemble. One of the co-proprietors of Covent Garden Theatre . He served as Examiner of Plays in the early nineteenth-century, reviewing plays for licensing by the Lord Chamberlain.—lmw
I know wishes it performed & if they had Mr. YoungCharles Mayne Young, or: Mr. Young | Born: 1777-01-10 in Fenchurch Street, London, England. Died: 1856.
Actor who performed at Covent Garden and Drury Lane between 1807 and 1832. Acted under Mr. Young. Rival of Kean. Known for his Hamlet. Written about by Washington Irving. His son wrote a memoir of him in 1871. —lmw
next season I should not object—only I do not wish to be so ungrateful as to impose a part he dislikes on Mr. MacreadyWilliam Charles Macready | Born: 1793-03-03 in London, England. Died: 1873-04-27 in Cheltenham, Gloucestershire, England.
English actor, one of the most prominent tragedians of his era. He appeared at Covent Garden and Drury Lane Theatres in London and also toured the United States. He appeared in Sheridan Knowles's William Tell, Byron's Sardanapolus, and Bulwer-Lytton's Money (1840), as well as in many Shakespearean roles. He also managed both Covent Garden and Drury Lane Theatres. In his role as actor-manager, Macready was a correspondent and collaborator with Mary Russell Mitford. The first play on which they worked was Mitford's Julian. Mitford dedicated to Macready the print edition of Julian: To William Charles Macready, Esq., with high esteem for those endowments which have cast new lustre on his art; with warm admiration for those powers which have inspired, and that taste which has fostered the tragic dramatists of his age; with heartfelt gratitude for the zeal with which he befriended the production of a stranger, for the judicious alterations which he suggested, and for the energy, the pathos, and the skill with which he more than emhodied its principal character; this tragedy is most respectfully dedicated by the author. Macready retired from the stage in 1851. —lmw
—Of course this is between ourselves.—My FatherGeorge Mitford, Esq., or: George Midford | Born: . Died: .
Father of Mary Rusell Mitford, George Mitford was the son of Francis Midford, surgeon, and Jane Graham. The family name is sometimes recorded as Midford. Immediate family called him by nicknames including Drum, Tod, and Dodo. He was a member of a minor branch of the Mitfords of Mitford Castle in Northumberland. Although later sources would suggest that he was a graduate of the University of Edinburgh medical school, there is no evidence that he obtained a medical degree and he did not generally refer to himself as Dr. Mitford, preferring to style himself Esq.. In 1784, he is listed in a Hampshire directory as surgeon (medicine) of Alresford. His father and grandfather worked as apothecary-surgeons and it seems likely that he served a medical apprenticeship with family members.
He married Mary Russell on October 17, 1785 at New Alresford, Hampshire. On the marriage allegation papers, both gave their addresses as Old Alresford; they later came to live at Broad Street in New Alresford. Their only child to live to adulthood, Mary Russell Mitford, was born two years later on December 16, 1787 at New Alresford, Hampshire. He assisted Mitford's literary career by representing her interests in London and elsewhere with theater owners and publishers. He was active in Whig politics and later served as a local magistrate. He coursed greyhounds with his friend James Webb.
—lmw begs his Compliments [gap: 1 word, reason: torn.] dear sir