I have waited till the last post day in hopes of seeing Mrs. Walter & finding from her if you were expected at Bear Wood on Sunday, but she has not called here nor have I been able to get to her, as my fatherGeorge Mitford, Esq., or: George Midford | Born: . Died: .
Father of Mary Rusell Mitford, George Mitford was the son of Francis Midford, surgeon, and Jane Graham. The family name is sometimes recorded as Midford. Immediate family called him by nicknames including Drum, Tod, and Dodo. He was a member of a minor branch of the Mitfords of Mitford Castle in Northumberland. Although later sources would suggest that he was a graduate of the University of Edinburgh medical school, there is no evidence that he obtained a medical degree and he did not generally refer to himself as Dr. Mitford, preferring to style himself Esq.. In 1784, he is listed in a Hampshire directory as surgeon (medicine) of Alresford. His father and grandfather worked as apothecary-surgeons and it seems likely that he served a medical apprenticeship with family members.
He married Mary Russell on October 17, 1785 at New Alresford, Hampshire. On the marriage allegation papers, both gave their addresses as Old Alresford; they later came to live at Broad Street in New Alresford. Their only child to live to adulthood, Mary Russell Mitford, was born two years later on December 16, 1787 at New Alresford, Hampshire. He assisted Mitford's literary career by representing her interests in London and elsewhere with theater owners and publishers. He was active in Whig politics and later served as a local magistrate. He coursed greyhounds with his friend James Webb.
—lmw although very much recovered has not been well enough to take so long a ride. We have not heard anything of your being expected there, & I in hoping to meet you on Monday spoke rather from my wishes than from rational expectation, therefore I should not imagine they would be offended if you did not go—but I am quite sure that to see you whether they have written or not would be the greatest possible pleasure both to Mr. and Mrs. Walter—I never heard any thing more enthusiasticpage 2
than the way in which she spoke of you—if I may venture to advise you—Go! & I say this quite disinterestedly since I am afraid you would think it necessary to run away before the dinner party next day.—

I have heard very fully and kindly from Mr. HarnessWilliam Harness | Born: 1790-03-14 in Wickham, Hampshire, England. Died: 1869-11-11 in Battle, Sussex, England .
A lifelong friend of Mary Russell Mitford who knew her from their childhood in the 1790s, Harness launched the first major effort to collect and edit Mitford’s letters into a series of volumes, which was completed by his assistant, Alfred Guy Kingan L’Estrange a year after Harness’s death, and published as The Life of Mary Russell Mitford, Related in a Selection from her Letters to her Friends. This collection was originally intended to be six volumes, but was cut back to three by the publishers, to Harness’s distress. Harness and Byron were also friends from their schooling at Harrow, as Byron sympathized with Harness’s experience of a disabled foot, crushed in an accident in early childhood. Byron considered dedicating the first two cantos of Childe Harold’s Pilgrimage to Harness, but refrained so as not to taint Harness’s reputation as he was taking orders as an Anglican curate. Harness admired and encouraged Mitford’s playwrighting in particular, and she commented that he was one of the few of her friends who thought she should prioritize the drama over prose. When William Macready was attacked in an anonymous Blackwood’s Magazine piece in 1825 for his demands and rudeness to Mitford over revisions to Rienzi, Macready assumed that Harness was the author of the anonymous piece, though in 1839 after many years of distance, Harness assured Macready in person that he was not the writer, though he may have shared word of the poor treatment his friend had endured. William Harness was the son of John Harness, M.D. and Sarah Dredge; he was baptized at Whitchurch, Hampshire on April 13, 1790. He received his B.A. in 1812 and his M.A. in 1816 from Christ’s College, Cambridge. He served as curate at Kelmeston, Hampshire (1812) and Dorking (1814-1816). He was preacher at Trinity Chapel, Conduit Street, London and minister and lecturer at St. Anne’s in Soho. He was Boyle lecturer in London (1822) and was curate at Hampstead from 1828 to 1844. In 1825, he published an eight-volume edition of Shakespeare, including a biography; his friends would later endow a prize in his name at Cambridge for the study of Shakespearean literature. He also authored numerous essays and reviews, some for the Quarterly Review. From 1844 to 1847 he was minister of Brompton Chapel in London. He undertook to raise the funds to build the church of All Saints, Knightsbridge, in the parish of St. Margaret’s Westminster, which opened in 1849, and he then became perpetual curate of that congregation. At the 1851 and 1861 censuses, he lived at 3 Hyde Park Terrace, Westminster St. Margaret, Middlesex, with his sister Mary Harness and his first cousin Jemima Harness, daughter of his uncle William. He died while on a visit to one of his former curates in Battle, Sussex. At the time of his death he living at the same address at 3 Hyde Park Terrace; he is buried in Bath.Sources: Duncan-Jones, Miss Mitford and Mr. Harness (1955); Lord Byron and His Times: —ebb, lmw
—He had not seen Charles KembleCharles Kemble | Born: 1775-11-25 in Brecon, South Wales. Died: 1854-11-12 in England.
British actor, the younger brother of John Phillip Kemble and Sarah Siddons. Although he was considered by some to be as fine an actor as his sister and brother, he mostly appeared in secondary rather than leading roles. Father of Frances Kemble. One of the co-proprietors of Covent Garden Theatre . He served as Examiner of Plays in the early nineteenth-century, reviewing plays for licensing by the Lord Chamberlain.—lmw
but seemed quite sure that the Play could not have been performed properly at Covent GardenTheatre Royal, Covent Garden, London, England | Covent Garden Theatre | Covent Garden | Westminster | London | England | 51.5129211 -0.12219759999993585 A West End theater located in Covent Garden in the London borough of Westminster. One of the royal patent theaters. The first theater on this site was opened in 1732 by John Rich, renovated by architect Henry Holland in 1792, and destroyed by fire on 20 Sept. 1808. The second theater, designed by Robert Smirke, opened on 18 Sept. 1809 and was managed by John Phillip Kemble. Because of rent increases by the Duke of Bedford, the landowner, J.P. Kemble increased ticket prices. This led to the old price (or O.P.) riots and the eventual lowering of ticket prices, although the proprietors proved they would lose money at those prices. The second theater was destroyed by fire on 5 March 1856. The third theater, designed by Edward Middleton Barry, opened in 1858 and remains at the center of today’s theater complex. The theater became the Royal Opera House in 1892 and the building was renovated and expanded in the 1980s and 1990s. —lmw, & that the consciousness of that, (although no ManagerCharles Kemble | Born: 1775-11-25 in Brecon, South Wales. Died: 1854-11-12 in England.
British actor, the younger brother of John Phillip Kemble and Sarah Siddons. Although he was considered by some to be as fine an actor as his sister and brother, he mostly appeared in secondary rather than leading roles. Father of Frances Kemble. One of the co-proprietors of Covent Garden Theatre . He served as Examiner of Plays in the early nineteenth-century, reviewing plays for licensing by the Lord Chamberlain.—lmw
[2] Charles Kemble was manager of Covent Garden Theater from 1822 to 1831, and again for the 1842-43 season.—kdc could make such an avowal) was the real cause of Mr. KembleCharles Kemble | Born: 1775-11-25 in Brecon, South Wales. Died: 1854-11-12 in England.
British actor, the younger brother of John Phillip Kemble and Sarah Siddons. Although he was considered by some to be as fine an actor as his sister and brother, he mostly appeared in secondary rather than leading roles. Father of Frances Kemble. One of the co-proprietors of Covent Garden Theatre . He served as Examiner of Plays in the early nineteenth-century, reviewing plays for licensing by the Lord Chamberlain.—lmw
's advice. He says that Charles KembleCharles Kemble | Born: 1775-11-25 in Brecon, South Wales. Died: 1854-11-12 in England.
British actor, the younger brother of John Phillip Kemble and Sarah Siddons. Although he was considered by some to be as fine an actor as his sister and brother, he mostly appeared in secondary rather than leading roles. Father of Frances Kemble. One of the co-proprietors of Covent Garden Theatre . He served as Examiner of Plays in the early nineteenth-century, reviewing plays for licensing by the Lord Chamberlain.—lmw
has not popularity, nor YoungCharles Mayne Young, or: Mr. Young | Born: 1777-01-10 in Fenchurch Street, London, England. Died: 1856.
Actor who performed at Covent Garden and Drury Lane between 1807 and 1832. Acted under Mr. Young. Rival of Kean. Known for his Hamlet. Written about by Washington Irving. His son wrote a memoir of him in 1871. —lmw
power to undertake such a part. He—William HarnessWilliam Harness | Born: 1790-03-14 in Wickham, Hampshire, England. Died: 1869-11-11 in Battle, Sussex, England .
A lifelong friend of Mary Russell Mitford who knew her from their childhood in the 1790s, Harness launched the first major effort to collect and edit Mitford’s letters into a series of volumes, which was completed by his assistant, Alfred Guy Kingan L’Estrange a year after Harness’s death, and published as The Life of Mary Russell Mitford, Related in a Selection from her Letters to her Friends. This collection was originally intended to be six volumes, but was cut back to three by the publishers, to Harness’s distress. Harness and Byron were also friends from their schooling at Harrow, as Byron sympathized with Harness’s experience of a disabled foot, crushed in an accident in early childhood. Byron considered dedicating the first two cantos of Childe Harold’s Pilgrimage to Harness, but refrained so as not to taint Harness’s reputation as he was taking orders as an Anglican curate. Harness admired and encouraged Mitford’s playwrighting in particular, and she commented that he was one of the few of her friends who thought she should prioritize the drama over prose. When William Macready was attacked in an anonymous Blackwood’s Magazine piece in 1825 for his demands and rudeness to Mitford over revisions to Rienzi, Macready assumed that Harness was the author of the anonymous piece, though in 1839 after many years of distance, Harness assured Macready in person that he was not the writer, though he may have shared word of the poor treatment his friend had endured. William Harness was the son of John Harness, M.D. and Sarah Dredge; he was baptized at Whitchurch, Hampshire on April 13, 1790. He received his B.A. in 1812 and his M.A. in 1816 from Christ’s College, Cambridge. He served as curate at Kelmeston, Hampshire (1812) and Dorking (1814-1816). He was preacher at Trinity Chapel, Conduit Street, London and minister and lecturer at St. Anne’s in Soho. He was Boyle lecturer in London (1822) and was curate at Hampstead from 1828 to 1844. In 1825, he published an eight-volume edition of Shakespeare, including a biography; his friends would later endow a prize in his name at Cambridge for the study of Shakespearean literature. He also authored numerous essays and reviews, some for the Quarterly Review. From 1844 to 1847 he was minister of Brompton Chapel in London. He undertook to raise the funds to build the church of All Saints, Knightsbridge, in the parish of St. Margaret’s Westminster, which opened in 1849, and he then became perpetual curate of that congregation. At the 1851 and 1861 censuses, he lived at 3 Hyde Park Terrace, Westminster St. Margaret, Middlesex, with his sister Mary Harness and his first cousin Jemima Harness, daughter of his uncle William. He died while on a visit to one of his former curates in Battle, Sussex. At the time of his death he living at the same address at 3 Hyde Park Terrace; he is buried in Bath.Sources: Duncan-Jones, Miss Mitford and Mr. Harness (1955); Lord Byron and His Times: —ebb, lmw
—urges me to finish Charles & CromwellCharles the First; An Historical Tragedy, in Five Acts. London : J. Duncombe . 1834. even if I never try a play again—[but] I am doubtful—it is so cold & dead & motionless compared to thepage 3
unlucky RienziRienzi; a Tragedy, in Five Acts. London : J. Cumberland . 1828.
There appears to be no printed edition of Rienzi authorized by Mitford upon its first performance in 1828. The first printed edition of the play appears in the J. Cumberland series Cumberland's British Theatre.—lmw—& I don't kn[ow][how] to manage the alteration—where [to] begin the story—Perhaps you may remember what Mr. MacreadyWilliam Charles Macready | Born: 1793-03-03 in London, England. Died: 1873-04-27 in Cheltenham, Gloucestershire, England.
English actor, one of the most prominent tragedians of his era. He appeared at Covent Garden and Drury Lane Theatres in London and also toured the United States. He appeared in Sheridan Knowles's William Tell, Byron's Sardanapolus, and Bulwer-Lytton's Money (1840), as well as in many Shakespearean roles. He also managed both Covent Garden and Drury Lane Theatres. In his role as actor-manager, Macready was a correspondent and collaborator with Mary Russell Mitford. The first play on which they worked was Mitford's Julian. Mitford dedicated to Macready the print edition of Julian: To William Charles Macready, Esq., with high esteem for those endowments which have cast new lustre on his art; with warm admiration for those powers which have inspired, and that taste which has fostered the tragic dramatists of his age; with heartfelt gratitude for the zeal with which he befriended the production of a stranger, for the judicious alterations which he suggested, and for the energy, the pathos, and the skill with which he more than emhodied its principal character; this tragedy is most respectfully dedicated by the author. Macready retired from the stage in 1851. —lmw
said on the subject—& if I should have the pleasure of seeing you in ReadingReading, Berkshire, England | Reading | Berkshire | England | 51.4542645 -0.9781302999999753 County town in Berkshire, in the Thames valley at the confluence of the Thames and the River Kennet. The town developed as a river port and in Mitford’s time served as a staging point on the Bath Road and was developing into a center of manufacturing. Mitford lived here with her parents from 1791 to 1795, on Coley Avenue in the parish of St. Mary’s and attended the Abbey School. The family returned to Reading from 1797 to about 1804, after which they relocated to Bertram House. They frequently visited Reading thereafter from their homes at nearby Bertram House, Three Mile Cross and Swallowfield. Mitford later used scenes from Reading as the basis for Belford Regis; or Sketches of a Country Town.—lmw could tell me—That is a very foolish If of mine, for I must have that pleasure even if it be only for a few minutes—& then you can advise me if it would be worth while to send through Miss SkerrettMarianne Skerrett
The 1888 volume of Notes and Queries indicates that Marianne and Henrietta Skerrett were cousins of the tragedian's [William Macready's] mother. (7th ser., 6, 28 July 1888: 76). Henrietta is likely to be the Hetta mentioned in Macready's diaries. Source: Letter from William Colesto Francis Needham, April 25, 1958, Needham Papers, Reading Central Library. Dates unknown.—scw, lmw to Mr. MacreadyWilliam Charles Macready | Born: 1793-03-03 in London, England. Died: 1873-04-27 in Cheltenham, Gloucestershire, England.
English actor, one of the most prominent tragedians of his era. He appeared at Covent Garden and Drury Lane Theatres in London and also toured the United States. He appeared in Sheridan Knowles's William Tell, Byron's Sardanapolus, and Bulwer-Lytton's Money (1840), as well as in many Shakespearean roles. He also managed both Covent Garden and Drury Lane Theatres. In his role as actor-manager, Macready was a correspondent and collaborator with Mary Russell Mitford. The first play on which they worked was Mitford's Julian. Mitford dedicated to Macready the print edition of Julian: To William Charles Macready, Esq., with high esteem for those endowments which have cast new lustre on his art; with warm admiration for those powers which have inspired, and that taste which has fostered the tragic dramatists of his age; with heartfelt gratitude for the zeal with which he befriended the production of a stranger, for the judicious alterations which he suggested, and for the energy, the pathos, and the skill with which he more than emhodied its principal character; this tragedy is most respectfully dedicated by the author. Macready retired from the stage in 1851. —lmw
—He, I assure you, did not seem to think Mr. EllistonRobert William Elliston, or: Mr. Elliston | Born: 1774 in London, England. Died: 1831.
English actor and theater manager. Managed Drury Lane and and other theaters. Mentioned in the writings of Leigh Hunt, Byron, and Macready. —lmw's rejection of the play[3] Macready had suggested numerous significant structural changes to Rienzi in November 1824, and Elliston rejected the play by the end of 1824.—kdc of any consequence if it should suit him to resume it—& I shall always feel persuaded that the rejection was contrived by him in order to remove the part out[del: 1 word.] of the way of Mr. KeanEdmund Kean | Born: 1787-11-04 in Westminster, London, England. Died: 1833-05-15 in Richmond, Surrey, England.
Considered one of the greatest actors of Mitford's era; known for performing tragedy, including original interpretations of Shakespearean roles such as Shylock. Performed in London at Drury Lane. Kean also toured the United States and Canada.—lmw, rnes
. The danger is that he may have made some promise to Captain Smith about his play [4] In Meditations of an Autograph Collector, Adrian Hoffman Joline quotes an 1820 letter from Mitford to Benjamin Robert Haydon, in which she says in a postscript, "The papers say that Mr. Macready is bringing out a play of Mr. Knowles. If so he has served a certain Captain Smith as ill as he has me!" (Joline 199). Macready played the title role in Sheridan Knowles's play Virginius in May 1820.—kdc—for I suppose the greatpage 4
success of The Fatal Dowry [5] Macready appeared as Remont in a bowdlerized version of Massinger and Field's The Fatal Dowry on 5 January 1825.—kdc would render a re-engagement no longer difficult to him.—I rejoice to hear that Mrs. TalfourdRachel Rutt Talfourd, or: Mrs. Thomas Talfourd | Born: 1793 in London, England. Died: 1875-02-12 in Margate, Kent, England.
The eldest daughter of John Towill Rutt, she married Thomas Noon Talfourd in 1822 . Coles observes that Talfourd secured a position through Henry Crabb Robinson to write legal reports for The Times to afford this marriage. Coles cites Vera Watson’s two-part Times’ Literary Supplement piece of April 20 and April 27, 1956, Thomas Noon Talfourd and His Friends for more information (Coles p. 193, note 2).
Thomas and Rachel had five children: Francis, Mary, Katharine, Thomas Noon [II], and William Wordsworth. In 1832, the family lived at 26 Henrietta Street, St Andrew, Holborn and St George the Martyr, Bloomsbury. In 1837, they lived at 56 Russell Square, St. George, Bloomsbury. On May 1, 1843, Rachael and the five children were all baptized into the Church of England. After the death of her husband, she lived at Margate, Kent, where she died on February 12, 1875.
—ajc, ebb, lmw continues well—& I beg you to make my very kindest regards to her & to accept my FatherGeorge Mitford, Esq., or: George Midford | Born: . Died: .
Father of Mary Rusell Mitford, George Mitford was the son of Francis Midford, surgeon, and Jane Graham. The family name is sometimes recorded as Midford. Immediate family called him by nicknames including Drum, Tod, and Dodo. He was a member of a minor branch of the Mitfords of Mitford Castle in Northumberland. Although later sources would suggest that he was a graduate of the University of Edinburgh medical school, there is no evidence that he obtained a medical degree and he did not generally refer to himself as Dr. Mitford, preferring to style himself Esq.. In 1784, he is listed in a Hampshire directory as surgeon (medicine) of Alresford. His father and grandfather worked as apothecary-surgeons and it seems likely that he served a medical apprenticeship with family members.
He married Mary Russell on October 17, 1785 at New Alresford, Hampshire. On the marriage allegation papers, both gave their addresses as Old Alresford; they later came to live at Broad Street in New Alresford. Their only child to live to adulthood, Mary Russell Mitford, was born two years later on December 16, 1787 at New Alresford, Hampshire. He assisted Mitford's literary career by representing her interests in London and elsewhere with theater owners and publishers. He was active in Whig politics and later served as a local magistrate. He coursed greyhounds with his friend James Webb.
—lmw & MotherMary Russell Mitford, or: Mrs. Mitford | Born: 1750 in Ashe, Hampshire, England. Died: 1830-01-02 in Three Mile Cross, parish of Shinfield, Berkshire, England.
Mary Russell was the youngest child of the Rev. Dr. Richard Russell and his second wife, Mary Dicker; she was born about 1750 in Ashe, Hampshire. (Her birth date is as yet unverified; period sources indicate that she was ten years older than her husband George, born in 1760.) Through the Russells, she was a distant relation of the Dukes of Bedford (sixth creation, 1694). She had two siblings, Charles William and Frances; both predeceased her and their parents, which resulted in Mary Russell inheriting her family’s entire estate upon her mother’s death in 1785. Her father’s rectory in Ashe was only a short distance from Steventon, and so she was acquainted with the young Jane Austen. She married George Mitford or Midford on October 17, 1785 at New Alresford, Hampshire. On the marriage allegation papers, both gave their addresses as Old Alresford. Their only daughter, Mary Russell Mitford, was born two years later on December 16, 1787 at New Alresford, Hampshire. Mary Russell died on January 2, 1830 at Three Mile Cross in the parish of Shinfield, Berkshire. Her obituary in the 1830 New Monthly Magazine gives New Year’s day as the date of her death.—ajc, lmw
s best remembrances—